Bright Wall/Dark Room
Bright Wall/Dark Room provides a fresh perspective on cinema: no sensational opinions, no buzz, no film industry updates, no misleading headlines, no "content," and no advertisements. Our online magazine focuses on the connection between films and the experience of being human. We serve as a community for writers and readers who share a deep love for cinema. Think of us as your favorite local video rental shop, where staff would happily engage in long discussions about familiar films and suggest hidden gems you might not know. We feature contributions from filmmakers, film enthusiasts, and students of film studies, as well as from comedians, novelists, painters, and poets.
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Articles
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1 week ago |
brightwalldarkroom.com | Veronica Fitzpatrick |Chad Perman
On this month’s bite-sized episode we zoom in on a snappy/passionate moment from Ernst Lubitsch’s effervescent 1932 screwball comedy, Trouble in Paradise. We get into: sex & pre-code cinema, eye-widening lines, wikipedia marriage math, Betty and Veronica vibes, the Lubitsch Touch, what does classy even mean?, how a perfect escapist film from 1932 works just as well in 2025, and more. Other listening options: This episode is sponsored by Galerie, a new kind of film club.
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3 weeks ago |
brightwalldarkroom.com | Veronica Fitzpatrick |Chad Perman
https://anchor.fm/s/e854cc28/podcast/play/103639780/https%3A%2F%2Fd3ctxlq1ktw2nl.cloudfront.net%2Fstaging%2F2025-5-4%2F5f7043c5-dcd4-6e24-b26c-6cf16bb64fa4.mp3Pop quiz, hotshot: Join us as we welcome back BWDR veteran and De Palma completist Travis Woods for a special conversation on one of our all-time favorites, Jan de Bont’s Speed (1994).
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1 month ago |
brightwalldarkroom.com | Natalie Marlin
All my friends were jumping off the cliff, so I did too. The quarry ledge somewhere deep in suburban Pennsylvania dropped 30, maybe 40 feet straight down into a pool of water beneath. Our nerves were building, the precarious view staring us dead in the eyes any time our glance cast down. But as soon as one of us—my then-boyfriend—jumped without warning and landed without harm, it burst the dam of reservations the rest of us had.
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1 month ago |
brightwalldarkroom.com | Dylan Fugel
Let me start by saying one thing as I begin this piece on Les Blank’s 1984 documentary, In Heaven There Is No Beer?: I do not like polka music. I find it actively off-putting. It’s chintzy, it’s retro, and it’s painful to listen to. I think its devotees want to restore a defunct, outdated form of Europeanism that should have been left in the 1800s. I start turning green when I think about polka music.
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1 month ago |
brightwalldarkroom.com | Veronica Fitzpatrick |Chad Perman
https://anchor.fm/s/e854cc28/podcast/play/102454484/https%3A%2F%2Fd3ctxlq1ktw2nl.cloudfront.net%2Fstaging%2F2025-4-10%2Fc651785c-b882-a8f9-4233-611a801ac195.mp3This month’s micro-episode takes us inside the mysterious, sensual brilliance of Michelangelo Antonioni’s The Passenger, a curated pick from director Ezra Edelman.
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