Cinema Express

Cinema Express

Cinema Express, a part of The New Indian Express, provides the most recent updates in the film industry, focusing primarily on South Indian cinema. It maintains a clear stance against gossip, prioritizing informative content over rumors.

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  • 1 week ago | cinemaexpress.com | Avinash Ramachandran

    Remember the 3 Idiots scene where Farhan's father finally breaks down and wants to buy his son a camera to give wings to his dreams? You know why it resonated with children across the nation? It is mainly because situations and conditioning often come in the way of dreams and aspirations. Imagine walking up to your parents and telling them that you are done with the sport of cricket... the sport that ignites a billion passionate Indians. Imagine doing all of this when you are 26.

  • 2 weeks ago | cinemaexpress.com | Avinash Ramachandran

    Blood, Brotherhood, Betrayal. From the time world cinema began to be fascinated by the lives of gangsters, these three words have been the bedrock of every iteration of their story. More often than not, these gangsters escape the long arms of the law only to find themselves on the wrong end of the gun barrel. Godfather was no different. Nayakan was no different. And even if we thought otherwise, or were told otherwise, Mani Ratnam-Kamal Haasan’s Thug Life, after a point, is no different.

  • 2 weeks ago | cinemaexpress.com | Namrata Joshi

    Be it Short Sharp Shock, The Edge of Heaven, Soul Kitchen or In the Fade, Fatih Akin, the prolific German filmmaker of Turkish descent, is best known for films that explore immigrant lives. With his latest, Amrum, he ventures into the new zone of period drama.

  • 3 weeks ago | cinemaexpress.com | Namrata Joshi

    Simon Mesa Soto’s Un Poeta (A Poet) is an intense character study of Oscar Restrepo, a poet who believes he never got his due in life. He is despondent and in decline, craving the elusive public recognition that he thinks he deserves and intent on not settling for anything less. Age is not in his favour and the marriage too has collapsed under strain.

  • 3 weeks ago | cinemaexpress.com | Namrata Joshi

    For Sharmila Tagore, Satyajit Ray’s cinema is all about lasting power. Something known, acknowledged and celebrated, time and again, and underscored once more at the recent screening of the restored version of his 1970 film Aranyer Din Ratri (Days and Nights in the Forest) at the Cannes Film Festival in its Cannes Classics segment. “Ray and his creations have lived on.

Cinema Express journalists