Culture Whisper

Culture Whisper

Culture Whisper began its journey in January 2014, started by a close-knit group of London experts eager to simplify and share their insights on the city's cultural scene. Since that time, we have transformed into a vibrant community of over 50 members. Our team includes passionate individuals from editorial, marketing, design, and development, who collaborate with talented writers, artists, specialists, photographers, and curators.

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  • Nov 16, 2024 | culturewhisper.com | Claudia Pritchard

    Donizetti's summer romance The Elixir of Love blossoms in the wartime England of Dad's Army (that is, a place where no one dies) in a gorgeous new production by Harry Fehr, making his English National Opera directing debut. Audiences and performers at Blackheath Halls Opera have already cottoned on to Fehr's cheerful and inventive talent, through his productions there, and indeed this Elixir is partly born out of one he did with Blackheath.

  • Nov 12, 2024 | culturewhisper.com | Claudia Pritchard

    Carols and seasonal favourites, Handel's Messiah and operas to raise the spirits

  • Oct 12, 2024 | culturewhisper.com | Claudia Pritchard

    The title says it all: the action of The Turn of the Screw, first a ghost story by Henry James, then an opera by Benjamin Britten, is a small, tightening twist. A new production of the opera by Isabella Bywater is more like a replacement machine than the adjustment of a small working part, but it comes with some gloriously persuasive singing.

  • Oct 10, 2024 | culturewhisper.com | Claudia Pritchard

    Bad luck runs in threes, and a poet's trio of disastrous love affairs is at the (broken) heart of Jacques Offenbach's opera The Tales of Hoffmann. The poet Ernst Theodor Amadeus Hoffmann pops up in the history of dance as the author of stories on which The Nutcracker and Coppelia are based. But it is his own, highly embellished, romances, one of which overlaps with the idea of Coppelia, that are set to music by the French composer who hoped for success beyond musical comedy.

  • Oct 9, 2024 | culturewhisper.com | Claudia Pritchard

    When a new production of Beethoven's only opera, Fidelio, opened in 2020, Russia had not invaded Ukraine and Israel had not experienced the assaults of 7 October 2023 or retaliated. With the production's revival, the silent and detached observers in Act Two of war and political persecution take on a new significance. We are all guilty of standing by and doing nothing, in the face of suffering, suggests this unusual interpretation.

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