Fine Woodworking
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Articles
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2 months ago |
finewoodworking.com | Michael Pekovich
The thought of cutting dovetails can be stressful. A big challenge is that it doesn’t consist of a single task. Instead, it requires a number of steps that involve multiple skill sets. This is not to say that it needs to be a daunting proposition. Rather, success lies in understanding the process and having a sound approach to each step.
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2 months ago |
finewoodworking.com | Christopher Schwarz
To paint the exterior, I use a linseed oil paint if I can allow a week for it to dry. If I don’t have the luxury of time, I use acrylic. After the paint is nice and hard, you can cut through the paint to decorate the coffer. Some cultures used carving gouges. Others used engraving tools that were pulled against a straightedge or inserted in a compass to make arcs. My engraving tool is a simple cutter used to trim the welds on vinyl floors. I hold it with an inexpensive craft knife.
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2 months ago |
finewoodworking.com | Christopher Schwarz
This small shepherd’s coffer, based on examples from Central Europe’s High Carpathian mountains, is sized for holding papers and writing tools. Traditionally, no matter how rich or poor, almost every family in the region owned a few of these chests and coffers. The joinery for this chest is entirely tongues, grooves, and wooden pegs. You can make all the joinery with a tongue-and-groove plane.
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2 months ago |
finewoodworking.com | Michael Pekovich
I use a dado set on my SawStop table saw quite a bit. When setting up wider cuts, I encounter a problem, running out of room on the arbor to fully seat the nut. In the past I’ve resorted to leaving off the arbor washer, but I’ve never felt good about that. Woodpeckers must have sensed my frustration and so has created a narrow-profile arbor nut with a washer built in. The Dado Nut can seat fully on the arbor threads, and it offers the support of a washer to keep the blades flat and cutting smoothly.
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2 months ago |
finewoodworking.com | Jonathan Binzen |Kaitlyn Hayes
-From Fine Woodworking #276Growing up, Ben Strear was enthralled by a book on the artist M.C. Escher and his interlocking, seemingly infinite patterns. Intricate patterns remain an obsession with Strear, and his carved and painted basswood pieces strive to fuse pattern with form.
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