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Articles

How a Pro Colorist Maximizes Color Separation

Oct 21, 2024 | blog.frame.io | Cullen Kelly

In this article, I’m going to show you one of the simplest and fastest ways you can increase the visual impact of your images when you’re color grading. I’m talking about color separation or what is sometimes called color contrast. It’s something we should always be thinking about when we’re working on our grades.
Insider Tips: Get Better Results from Premiere Pro Auto Reframe

Oct 9, 2024 | blog.frame.io | Jarle Leirpoll

Every week, Frame.io Insider asks one of our expert contributors to share a tip, tool, or technique that they use all the time and couldn’t live without. Jarle Leirpoll demonstrates how to get Premiere Pro Auto Reframe to work the way you want. The Auto Reframe Sequence feature in Premiere Pro can take the media from your 16×9 sequence and automatically reframe it to fit a new sequence with a different aspect. It can be a real time-saver for social media exports.
Should You Use Resolve Color Management or CSTs?

Oct 7, 2024 | blog.frame.io | Cullen Kelly

In this article, I want to answer one of the most common questions I get about color grading: Should I use Resolve Color Management or Color Space Transforms? Which is better? What is the ideal color management workflow for our images? Let’s dive in and do a side-by-side comparison of both approaches and see which one works best in DaVinci Resolve. I’ll start by showing you Resolve Color Management. As you can see, we’re starting from zero, with just a few log images in our timeline.
The Ultimate Guide to Premiere Pro Productions

Sep 30, 2024 | blog.frame.io | Jarle Leirpoll |Cullen Kelly

When Productions was introduced to Premiere Pro in 2020 it was a huge step forward in collaboration tools for Adobe, helping to take some of the editing strain out of feature films and series-length shows. With Productions, unwieldy projects were suddenly a breeze to manage, and (most importantly) ensured that Premiere Pro would be stable even with huge amounts of footage. It was a true game changer.
Insider Tips: Quickly Reframe Vertical Video in Final Cut

Sep 18, 2024 | blog.frame.io | Reuben Evans |Jarle Leirpoll

Every week, Frame.io Insider asks one of our expert contributors to share a tip, tool, or technique that they use all the time and couldn’t live without. This week, Reuben Evans shares how to use Smart Reframe in Final Cut Pro to create vertical video from standard timelines. More and more editors are being asked to ship vertical versions of videos in addition to widescreen versions.
What is Rolloff? A Pro Colorist Explains

Sep 16, 2024 | blog.frame.io | Cullen Kelly |Jarle Leirpoll

I have a confession to make. I walked around for years as a working colorist without a full understanding what people meant when they used the term “rolloff.” Generally, I knew that it was something that happened in shadows and highlights, and sometimes it was a bad thing. But when the conversation would come up, I would just nod my head and hope no one asked me any direct questions. Maybe I’m on my own, but I have a hunch that a lot of us don’t understand exactly what rolloff is.
Insider Tips: Fix Premiere Pro MOGRT Rescaling Issues

Sep 11, 2024 | blog.frame.io | Jarle Leirpoll

Motion Graphics Templates in Premiere Pro can break spectacularly when you change the aspect ratio of your sequence. Why does this happen? Unlike other graphics software, Premiere Pro treats each layer individually—even if it’s grouped with other layers—and layers are automatically scaled according to the frame width. In the example above, the error was the result of frame height readjustment from 1080 to 1920 (1080/1920 ≈ 0.56).
The Cinematographer's Guide to "Deadpool & Wolverine"

Sep 9, 2024 | blog.frame.io | Phil Rhodes

Anyone familiar with the historic, wobbly-wall British scifi series Doctor Who will know how often it looked a bit…cheap. Part of this is down to the disused stone quarry that often served as the set for whatever planet was needed for each episode. (So much so, it even became a point of parody.)Which is why there’s something wonderful about the fact that several of the decidedly expensive-looking Deadpool & Wolverine’s scenes were also shot in a disused British stone quarry.
What is Gamma? And How Does a Pro Colorist Use It?

Sep 2, 2024 | blog.frame.io | Cullen Kelly |Jarle Leirpoll

What is gamma, and how should colorists use it in their color grading practice? Gamma is one of those things we all have an idea about. We see it at work, but it’s likely that only a few of us have a clear understanding of what drives the behavior of gamma and when we want to use it. So let’s dive into DaVinci Resolve and get a clearer look for what gamma is, how it works, and when we should and shouldn’t use it. The simplest answer is that gamma makes the image brighter or darker.
The Complete 2024 Premiere Pro Color Correction Guide

Aug 25, 2024 | blog.frame.io | Jarle Leirpoll |Cullen Kelly

The mark of every great editor is a full understanding of the tools at their disposal—and the ability to use those tools to their full potential. And few tools are as important and nuanced as those that affect color grading. If you’re an editor who’s interested in Premiere Pro color correction and grading, this in-depth guide to the Lumetri Color Panel is for you.