
Phil Rhodes
Writer at Frame.io Insider
Articles
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4 days ago |
redsharknews.com | Phil Rhodes
Phil Rhodes takes a close look at the $3199 full-frame mirrorless Panasonic LUMIX S1II and is impressed at what he finds. You have to be fairly experienced now to remember a time when most stills cameras weren’t hybrid cameras. The term has been much used to describe things just such as Panasonic’s S1II, where the moving image features seem to have occupied just as much of the designers’ brain space as the stills.
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3 weeks ago |
tvtechnology.com | Phil Rhodes
The subtle art of aiming cameras at live events is perhaps the part of film and television practice which has been most resistant to new technologies. While sheer specifications have skyrocketed, outside broadcast camerawork is marked by nothing more than a determination to maintain a consistent operator experience. Recently, though, the drive for sheer gloss—driven, perhaps, by the ascendancy of single-camera drama from OTT distributors—has imposed change on this most change-resistant of fields.
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1 month ago |
provideocoalition.com | Phil Rhodes
Post-scarcity sensors provoke desperate clutching for… less? Sometimes, new technologies are pursued because they make things work better. Sometimes, that happens because they allow people to write large numbers on promotional material. Occasionally, it’s both. Yes, this is one of those articles where we’re going to have to avoid naming names.
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1 month ago |
redsharknews.com | Phil Rhodes
At only $249 the Atomos Shinobi Go is likely to be many people’s first experience of a proper monitor with proper exposure tools and there is no shortage of features even at this entry level. One sign of a mature market is when all the products which manufacturers themselves describe as entry-level start sprouting advanced features. That’s certainly the case with Atomos’ Shinobi Go, which was announced in plenty of time for the NAB show and is now on the market.
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2 months ago |
thebroadcastbridge.com | Phil Rhodes
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