fxguide
fxguide is owned by fxguide, LLC, which is based in Chicago, Illinois, USA. The fxguide team was established in 1999 by three talented visual effects artists.
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Arts and Entertainment/Visual Arts and Design
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Articles
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1 week ago |
fxguide.com | Mike Seymour
In Marvel Television’s Daredevil: Born Again, Matt Murdock, a blind lawyer with heightened abilities, is fighting for justice through his bustling law firm, while former mob boss Wilson Fisk pursues his own political endeavors as the new Major of New York. When their past identities begin to emerge, both men find themselves on an inevitable collision course.
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3 weeks ago |
fxguide.com | Mike Seymour
https://media.fxguide.com/fxpodcast/fxg-250417-Mickey17.mp3 Play in new window DownloadMickey 17 is a black comedy film written, produced, and directed by Bong Joon Ho, based on the 2022 novel Mickey7 by Edward Ashton. The film stars Robert Pattinson in the title role, alongside Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo. Set in the year 2054, the plot follows a man who joins a space colony as an “Expendable”, a disposable worker who gets cloned every time he dies.
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1 month ago |
fxguide.com | Mike Seymour
https://media.fxguide.com/fxpodcast/fxg-250406-VengeanceMostFowl.mp3 Play in new window DownloadThere is a certain alchemy at work in any Aardman production — that particular blend of humour, heart, and handcrafted charm — but Vengeance Most Fowl, the latest Wallace & Gromit adventure, reveals just how seamlessly that magic is now augmented by digital visual effects.
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1 month ago |
fxguide.com | Mike Seymour
The NAB Show in Las Vegas was long the epicentre of breakthroughs in broadcast, media, and production technology. Once sprawling across the entire Las Vegas Convention Center and hosting over 100,000+ attendees, the show now presents a more focused and intense experience; this year, the Conference is expecting just over 60,000 visitors, but with attendees from 160 countries and filling only part of the South Hall. But while the scale may have shifted, the ambition certainly hasn’t.
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1 month ago |
fxguide.com | Mike Seymour
When John Knoll first heard about Star Wars: Skeleton Crew in the fall of 2021, it was through a familiar channel: ILM’s Rob Bredow, asking if he’d be interested in heading up visual effects on one of Lucasfilm’s new streaming projects.
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