Indesign Australia

Indesign Australia

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#673923

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#46571

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Articles

  • 1 day ago | indesignlive.com | Saskia Neacsu

    “The past is not dead. It is not even past,” William Faulkner once penned. There is a certain poetry in restoration. In cities shaped by time, the act of revisiting a landmark is about recalibration. What do we keep? What do we let go? What does it mean to occupy heritage without romanticising it? The Sofitel Sydney Wentworth has never been a neutral building. From its inception in 1966, this curved monolith of sandstone brick and steel carried the aspirations of an emerging global city.

  • 1 week ago | indesignlive.com | Aleesha Callahan

    Two creative forces – BOYAC and ORIGINE – collaborate for a Melbourne Design Week presentation that elevates the art of craft and material integrity. At the heart of their collaboration is a deep respect for the tactile, the thoughtful and the timeless. Through a shared lens of quiet luxury, they offer a curated exploration of furniture and fabric, brought to life through a capsule collection.

  • 2 weeks ago | indesignlive.com | Saskia Neacsu

    In the industrial periphery of Currumbin, where utilitarian sheds flank the streets, J.AR Office has reinterpreted a civic precinct with aplomb. The reconfiguration of five pre-existing sheds has been assiduously redesigned into The Warehouses. At the core of the industrial estate lies a human-centric internal vestibule demonstrating the importance of providing space for public life to occur even in the most unlikely of places — a shed.

  • 2 weeks ago | indesignlive.com | Alice Blackwood

    Since returning back to the workplace with increasing regularity, people have come to seek something much more nuanced from contemporary workplace environments. “People want to extend the feeling they have in their private home, into the office environment,” says Anders Cleeman, CEO of Scandinavian design house Muuto.

  • 1 month ago | indesignlive.com | Saskia Neacsu

    In a landscape where quantity often challenges quality, partnerships with genuine purpose and cultural resonance will be the ones that continue to stand out. Furthermore, it appears the rise of cross-industry partnerships has reshaped the way consumers interact with design brands. Take the collaboration between Australian hardware brand Bankston and architecture studio Sans-Arc Studio, for example, manifesting as a tangible representation of a shared design ethos.

Indesign Australia journalists