Inverted Audio
Inverted Audio is a digital music magazine that started in 2009, dedicated to highlighting the culture of electronic music through a personal and in-depth approach.
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Articles
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1 week ago |
inverted-audio.com | Mathias Chaboteaux
Still glowing from the celestial afterburn of their ‘Sailing To Valinor’ compilation, Prague-based imprint Moving Pictures return to the radar with another evocative transmission ‘Climax’, a five-part mind sculpture from London-based producer Rico Casazza.
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1 week ago |
inverted-audio.com | Mathias Chaboteaux
Creaked Records continue their quiet insurgency on the fringes of club culture with ‘RDX_CLB’, the latest dispatch from Geneva-based shapeshifting sound-sculptor Owelle. A multidisciplinary artist operating somewhere between speculative fiction and precision sound design, Owelle returns to the Creaked fold with a two-track juggernaut that drags IDM, breaks, and brooding techno through a cybernetic wormhole.
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1 week ago |
inverted-audio.com | Jason Cabaniss
For the 390th edition of the IA MIX Series we are thrilled to share a deep dive into jazzy neo-noir ambience from American producer Jacob Long, aka Earthen Sea. Currently based in New York City, Long is a DIY lifer, with over twenty years dedicated to Earthen Sea’s wide range of sounds from long-form noise and drone recordings, minimal dub techno, and ethereal ambient experimentation.
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2 weeks ago |
inverted-audio.com | Mathias Chaboteaux
Emerging from Czechia and Austria, phonon records return with their fourth transmission ‘RESi‘ – this time dialling into the disrupted consciousness of Linz-based waveform saboteur, Sturmherta. Known for twisting the faders between intensity and illusion, Sturmherta operates at the bleeding edge of digital hauntology. His sound isn’t produced – it’s summoned, like glitching fragments of a forgotten rave memory compressed into corrupted .wav ghosts.
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2 weeks ago |
inverted-audio.com | Mathias Chaboteaux
As their catalogue takes shape in elegantly minimal strokes, Finnish imprint Elektorni locks in its third release with ‘Noel Skum‘, a characteristically unorthodox dispatch from Stockholm-based analog-funk laureate Daniel Savio. Long before the algorithm could make its mark, Savio minted the term skweee – a stylistic micro-verse born at the turn of the millennium where 8-bit timbres rubbed shoulders with Nordic funk and basement soul.
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