La Tribune de l’Art

La Tribune de l'art (The Art Tribune) is a digital magazine based in France that focuses on art history and Western cultural heritage, spanning from the Middle Ages to the 1930s. It was founded on April 7, 2003, by Didier Rykner, who is both an art historian and a former agronomist. In 2008, the magazine's editor-in-chief was honored with the La Demeure historique award in the "journalist's prize, written press — internet" category. By 2021, the magazine had grown to 4,000 subscribers, generated a revenue of 320,000 euros, and employed four staff members.

International

English, French

Online/Digital

Outlet metrics

Domain Authority

Ranking

Global

#507065

France

#22378

Arts and Entertainment/Arts and Entertainment

#204

Traffic sources

Monthly visitors

Articles

Un portrait de Khnopff pour le Metropolitan – La Tribune de l'Art

1 week ago | latribunedelart.com | Bénédicte Bonnet Saint-Georges

15/4/25 - Acquisition - New York, The Metropolitan Museum of Art - Son visage poupin a gardé l’innocence de l’enfance, mais sa pose déjà est celle d’une adulte. Le portrait d’Yvonne Suys peint par Fernand Khnopff est conservé depuis peu au Metropolitan Museum (ill. 1). Resté dans la famille du modèle jusqu’à sa mise en vente par Millon en 2024, il a été acquis par The Hearn Family Foundation avant de finalement rejoindre les collections du musée new yorkais.
Un grand Kokoschka retourne à Dresde – La Tribune de l'Art

1 week ago | latribunedelart.com | Alexandre Lafore

14/4/25 - Acquisition - Dresde, Staatliche Kunstsammlungen Dresden, Albertinum et Hanovre, Sprengel Museum - Certaines œuvres connaissent un parcours plutôt chaotique avant de gagner leur emplacement idéal, pour ne pas dire naturel et c’est ainsi que l’un des plus importants achats des musées allemands du début d’année a connu une histoire récente édifiante : déposé pendant plus de quarante ans dans de prestigieuses institutions germaniques, ce grand tableau (ill.
Artemisia. Héroïne de l'art – La Tribune de l'Art

1 week ago | latribunedelart.com | Bénédicte Bonnet Saint-Georges

La discipline que l’on appelle « l’histoire de l’histoire de l’art » s’intéressera peut-être à la mise en valeur croissante des artistes femmes au XXIe siècle et plus particulièrement durant les années 2020. Il faudra alors analyser le point de vue adopté par les expositions qui leur sont consacrées, révélateur bien souvent des préoccupations de notre époque qui souhaite voir en elles les ambassadrices du « proto-féminisme ».
A 15th-century polyptych returns to Corsica – La Tribune de l'Art

1 week ago | latribunedelart.com | Bénédicte Bonnet Saint-Georges

Home > News > News Items > A 15th-century polyptych returns to Corsica Tuesday 8 April 2025, by All the versions of this article: [English] [français] 8/4/25 - Acquisition - Corte, Musée de la Corse - Because American collections are not inalienable, the Bass Museum of Art in Miami was able to sell a 15th-century polyptych last February, in order to be able to buy other works in line with its current cultural policy [1]... This altarpiece belonged to John and Johanna Bass, who donated their...
A book on painting in Parisian churches in the 19th century – La Tribune de l'Art

1 week ago | latribunedelart.com | Didier Rykner

Home > News > Publications > A book on painting in Parisian churches in the 19th century Wednesday 5 March 2025, by All the versions of this article: [English] [français] Author: collective. The churches of Paris are incredibly rich, but often little known.
Eternal Spring. Gardens and Tapestries in the Renaissance – La Tribune de l'Art

1 week ago | latribunedelart.com | Alexandre Lafore

Home > News > Exhibitions > Eternal Spring. Gardens and Tapestries in the Renaissance Thursday 27 February 2025, by All the versions of this article: [English] [français] Mechelen, Museum Hof van Buysleyden, from 14 December 2024 to 16 March 2025Who still remembers Cardinal Antoine de Granvelle?
Discovery of a painting by François-André Vincent – La Tribune de l'Art

1 week ago | latribunedelart.com | Didier Rykner

Home > Focus > Discoveries > Discovery of a painting by François-André Vincent Tuesday 12 November 2024, by All the versions of this article: [English] [français] Yesterday we published a news item on a publication Images du Patrimoine illustrating the article with a painting presented as 17th-century which seemed to us to be more a work from the second half of the 18th century, French, and otherwise of excellent quality. We thus hoped to be able to find its attribution thanks to a reader....
The degrowth of museums... and collections ? – La Tribune de l'Art

1 week ago | latribunedelart.com | Didier Rykner

Home > News > Museums > The degrowth of museums... and collections? Thursday 27 March 2025, by All the versions of this article: [English] [français] The number seemed incredible: in 2022, "more than 200,000 new items" would have entered French public collections.
Notre-Dame's stained glass windows : an example to follow – La Tribune de l'Art

1 week ago | latribunedelart.com | Didier Rykner

Home > News > Heritage > Notre-Dame’s stained glass windows: an example to follow Thursday 23 January 2025, by All the versions of this article: [English] [français] The petition against the removal of Viollet-le-Duc’s stained glass windows at Notre-Dame has just passed the 275 000 signature mark, and it contains many names of people belonging to the Ministry of Culture’s direction des patrimoines. But an official from this department, former regional curator of historic monuments at the DRAC...
A « Dance of the Willis » for Orsay – La Tribune de l'Art

1 week ago | latribunedelart.com | Alexandre Lafore

Home > News > News Items > A « Dance of the Willis » for Orsay Tuesday 8 April 2025, by All the versions of this article: [English] [français] 8/4/25 - Acquisition - Paris, Musée d’Orsay - Even a masterpiece sometimes needs a ray of sunshine to reveal its full qualities: discovered one winter morning last February, this sumptuous vase-shaped ewer with its matching tray (ill. 1) seemed to us to be naturally destined for the Musée d’Orsay, which had nothing equivalent in its collection. Having...