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Fleak and Captain Sabertooth lead the way as Nordic animation heads to Annecy

2 days ago | nordiskfilmogtvfond.com | Marta Balaga

Captain Sabertooth and the Countess of Grel, Fleak and a slew of intriguing shorts will be presented at the biggest event in animation. All on board as Captain Sabertooth and the Countess of Grel (Kaptein Sabeltann og Grevinnen av Gral) are sailing to Annecy. In the film, shown in Annecy Presents, best friends Raven and Pinky serve under pirate Captain Sabertooth, aka the King of the Seven Seas.
Gender equality as cinema’s creative engine emerges in the Nordics

2 weeks ago | nordiskfilmogtvfond.com | Davide Abbatescianni

As Hollywood retreats, Nordic countries push forward, showing how gender parity drives innovation, not just inclusion, in film. When conversations about gender equality in cinema arise, many eyes turn west to Hollywood. But as the American industry backpedals on diversity and inclusion efforts, the Nordic region is charting a different — and, arguably, more sustainable — path.
From silence to screen: Nordic voices defending democracy

2 weeks ago | nordiskfilmogtvfond.com | Davide Abbatescianni

As democracy falters, Nordic film leaders at Cannes urge cinema to resist silence, censorship, and cultural complacency. At a time when democratic institutions are being tested by rising polarisation and waves of disinformation, the five Nordic film institutes convened a compelling panel discussion at Cannes’ Marché du film (13-21 May) to ask a pressing question: What role can cinema play in defending democracy?
Resisting reality, embracing resilience: a wake-up call for the film industry

2 weeks ago | nordiskfilmogtvfond.com | Davide Abbatescianni

The report begins by identifying a critical shift in mindset — from resisting reality to building a kind of resistance that is strategic, structural, and collective. The idea of “resilient resistance” replaces outdated notions of recovery or business-as-usual forecasting. In today’s world of systemic instability, it’s not enough to anticipate change; we must prepare for disruption with frameworks that are responsive rather than reactive.
Nordic docs tackle love, power, and survival at Sheffield

4 weeks ago | nordiskfilmogtvfond.com | Davide Abbatescianni

From matchmaking in North Korea to resistance in Uganda, Nordic non-fiction captures the joys and burdens of modern life. Sheffield DocFest, the UK’s premier documentary festival and one of Europe’s largest gatherings of its kind, has unveiled the full line-up for its 32nd edition, running from 18–23 June. A total of 116 films from 68 countries will screen this year, including 51 world premieres, reflecting a rich diversity of global storytelling — with Nordic voices prominently represented.
Three documentaries with Danish involvement to bow at the upcoming Tribeca Film Festival

1 month ago | nordiskfilmogtvfond.com | Davide Abbatescianni

Take the Money and Run will screen in the Spotlight Documentary strand, whilst The End of Quiet and An Eye for an Eye will be showcased in the Documentary Competition. The 24th edition of the Tribeca Film Festival (4–15 June) is set to welcome three documentaries with Danish involvement, further underlining the country’s growing presence in the global non-fiction scene. Among the Danish titles heading to New York is Take the Money and Run, helmed by Ole Juncker.
Raw, bold, risky: the Nordic shows shining at Canneseries 2025

1 month ago | nordiskfilmogtvfond.com | Davide Abbatescianni

From satirical inheritance dramas to military dorm-room banter and CIA conspiracies, Nordic genre-defying series in Cannes proves the region’s creative output as anything but predictable. The 2025 edition of Canneseries unspooled from 24-29 April. The French Riviera event showcasing some of the buzziest upcoming shows saw a robust contingent made up of seven new Nordic series, including four Norwegian productions taking the top prizes.
Nordic triumph in Beijing: Lilja Ingolfsdottir’s Loveable wins big

1 month ago | nordiskfilmogtvfond.com | Davide Abbatescianni

At the Chinese gathering, the Norwegian drama scooped four prizes – Best Feature Film, Best Director, Best Script and Best Leading Actress. Norwegian cinema took centre stage at the 15th edition of the Beijing International Film Festival (18-26 April), as Lilja Ingolfsdottir’s debut feature Loveable (Elskling) emerged as the biggest winner, securing four prestigious Tiantan Awards, including Best Feature Film and Best Director.
Stockfish’s Managing Director Dögg Mósesdóttir breaks down the 2025 edition, nurturing Iceland’s film industry

1 month ago | nordiskfilmogtvfond.com | Davide Abbatescianni

A sharpened mission, a youth-focused strategy, and full-house events marked the gathering’s latest edition, as it leaned into its role as a cultural incubator and policy platform. It’s a wrap for the 2025 edition of Stockfish Film & Industry, which unspooled in Reykjavík from 3–13 April. In her first year as Managing Director of the Stockfish Film & Industry Festival, Dögg Mósesdóttir has kept the festival’s core intact while bringing a sharper focus to its mission.
Navigating Nordic film employment: time for a temperature check!

1 month ago | nordiskfilmogtvfond.com | Davide Abbatescianni

Nordisk Film & TV Fond's analysis aims to highlight shared challenges and divergent responses across the five Nordics. In this article, the Nordisk Film & TV Fond offers a comparative snapshot of the Nordic film industries, examining workforce trends, regional dynamics, and structural shifts across Denmark, Sweden, Iceland, Finland, and Norway.