PIN-UP Magazine

PIN-UP Magazine

The exclusive magazine published twice a year focused on Architectural Entertainment.

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  • Nov 19, 2024 | pinupmagazine.org | India Ennenga

    A far cry from stuffy classicists for whom music is a respite from contemporary concerns, the Anglo-German composer and pianist Max Richter sees his medium as a mode of communication, at once comprehensible, beautiful, and deeply engaged with the important topics of our time. Produced in collaboration with neuroscientists, his 2015 album Sleep aims to help the listener achieve a restorative night’s rest in a world where computers and smartphones have played havoc with our circadian rhythms.

  • Nov 18, 2024 | pinupmagazine.org | Adam Pendleton

    The Artist’s Museums Series Confronts the Institution Itself by Adam Pendleton Based in Syracuse, New York, Carrie Mae Weems (born 1953) is an artist who investigates history, identity, and power, finding connections between personal experience and the larger structures and institutions that shape our lives.

  • Sep 29, 2024 | pinupmagazine.org | Felix Burrichter

    In recent years, the use of the word “energy” has undergone a contextual shift, from the mere description of physical forces to something more vague and personal. As a result, the determination of “good” or “bad” energy has become a subjective gauge of human power, strength, or influence, reflecting a linguistic shift similar to the evolution from “I think” to “I feel” in expressing opinions.

  • Sep 26, 2024 | pinupmagazine.org | Emma MacDonald |Emma Macdonald

    We live in an era when objects like tables and chairs can be produced in virtually any shape imaginable. Blobs? Cantilevers? Nothing seems out of reach. Looking back over the past century, it is difficult not to overstate the significant influence on fabrication technology exerted by Molteni & C, the Italian manufacturer of high-end furniture that celebrates its 90th anniversary this year.

  • Sep 20, 2024 | pinupmagazine.org | Ian Volner

    “The accidents are always way better than the intentions,” Omer Arbel says. For Arbel — architect, maker, benevolent mad scientist — those words could be a sort of motto.

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