SHOWstudio

2 weeks ago | showstudio.com | Hetty Mahlich

You can’t rely on the weather, but there’s nothing like a British summer. Rain or shine, the weather is a Brits go-to conversation starter, it’s something we’re strangely patriotic about. So is heritage brand Burberry, whose roots lie in protecting us from the elements going back to Thomas Burberry’s invention of the weatherproof gabardine fabric back in 1879. For their High Summer 2025 campaign, the Burberry trench coat takes a backseat.

1 month ago | showstudio.com | Joshua Graham

What happens when a generation raised on screens turns the camera back on itself? At Central Saint Martins’ BA Fashion Communication: Image & Promotion mid-year showcase, students dissected the techno-anxieties, digital rituals, and modern obsessions shaping contemporary life—all through film. The result? A screening that was both deeply self-aware and hilariously cutting, with an undercurrent of something even rarer in the digital age: genuine human connection.

1 month ago | showstudio.com | Joshua Graham

In a time where fashion often flirts with the ephemeral, Izzy Du’s 'Living Relics' collection asserts itself as an artefact of the future. It is a study in paradox—deeply modern yet hauntingly ancient, built to endure yet wrapped in fragility. With a conceptual edge sharpened by military surplus inspirations, Du reframes functional design through an almost primal lens, crafting pieces that feel as though they’ve survived generations while standing defiantly outside of time.

1 month ago | showstudio.com | Joshua Graham

As the Eurostar crosses the Channel to familiar territory, I finally have a moment to reflect on what was, unexpectedly, an exhilarating Paris Fashion Week. Yes, we’ve all seen that Business of Fashion report confirming Paris’s dominance—this season, more indisputable than ever. Milan, New York, and London had their moments, but Paris didn’t just win by default—it commanded the world stage.

1 month ago | showstudio.com | Hetty Mahlich

Gill Linton, co-founder of Byronesque, once said something along the lines of: 'Just because it's old, doesn't mean it's good.' That's stuck with me, particularly as the archive fashion hype has spun out of control. It feels as though we - as consumers - have lost sight of the value in vintage, so often buyers don't care to understand what they're getting much further than the brand label attached.