Rascal.News

Rascal.News

We are Rascal, an independent outlet dedicated to journalism focused on tabletop roleplaying games and the creators behind them. We are reader-supported and owned by our team, ensuring that our content reflects the interests of our community.

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  • 1 week ago | rascal.news | Lin Codega

    tabletop — 5 min read This post is for paying subscribers only

  • 1 week ago | rascal.news | Chase Carter

    culture — 6 min read Michael Addison felt like he dodged a bullet by 48 hours. The game designer and owner of Nerdy Pup Games had been waiting for multiple lines of tabletop games to process after sitting in US Customs for two weeks. He originally estimated paying $5,000 just to receive his games, using the (now obsolete) April 4th tariff affecting goods from China, but the chaotic implementation of Trump’s flailing economic demands worked in Addison’s favor. This time.

  • 1 week ago | rascal.news | Lin Codega

    Every year since 2022, game designer Rue Dickey has organized TTRPGS for Trans Rights, a charity drive that supports various state organizations working to advance transgender rights and provide safe spaces for queer folks. Working with Rina Amaranthine, a cultural consultant and mentorship program chair for the Rose Gauntlet Foundation, the two organizers collect donated games from designers and publishers, bundle (most of) them on itch.io, and sell them starting at $5.

  • 1 week ago | rascal.news | Adam Vitcavage

    actual play — 6 min read The rise of social media influencers and content creators has opened new paths for people to express themselves and find new ways to connect with their communities. Many parents have gotten in on the action to create content that involves the whole family. A recent New York Times investigation by Jennifer Valentino-DeVries and Michael H.

  • 2 weeks ago | rascal.news | Chase Carter |Rowan Zeoli

    culture — 8 min read Early in The Electric State’s runtime, Chris Pratt’s John D. Keats points to all of the food squirreled away in his desert bunker that isn’t fit to eat — the Masters of the Universe tie-in Zagnuts (in the original packaging), tidy rows of SPAM cans, carefully wrapped candy bars. His character, a smuggler for nostalgic commercial goods from some vague '90s The Never Was, refuses to sacrifice potential profit to nourish his own body.