Stereophile
Stereophile is a monthly publication dedicated to premium audio gear, including speakers and amplifiers, as well as the latest news in the audio world, like online streaming. It was established in 1962 by J. Gordon Holt.
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Articles
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6 days ago |
stereophile.com | Ken Micallef
John DeVore brings more than music to his rooms: he brings thoughtfulness, a sense of discovery, and superbly curated recordings. At AXPONA 2025, DeVore’s system featured a Well Tempered Lab Kauri Mk II MC cartridge ($2000), mounted to the integrated tonearm of a Well Tempered Lab Versalex turntable ($4850). A Grimm Audio MU2 streaming DAC/preamplifier ($17,500) handled digital.
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6 days ago |
stereophile.com | Ken Micallef
Jeffrey Catalano’s Show-Stopping System: DaVa Soul, Fuuga, Red Sparrow, Miyajima, TW-Acustic, Alieno, Cessaro, Stein, Codia, Silent Running, Shun Mook, ADD-Powr High Water Sound’s Jeffrey Catalano could give a master class in room setup. A veteran of hundreds of audio shows, he not only presents exceptional-sounding rooms but also curates adventurous vinyl selections. I invariably leave his room with music titles scribbled in my notebook, like recipes for marvelous dishes.
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6 days ago |
stereophile.com | Jason Victor Serinus
Before I heard the new Soulution 717 monoblocks ($109,975 each), I spoke with Cyrill Hammer, Soulution’s CEO and Chief Designer, and Cliff Duffey, President of AXISS Audio. The conversation was illuminating. The listening? Something else entirely. This was certainly one of the most expensive systems at AXPONA. Take the source: a $199,975 Transrotor Artus FMD turntable, fitted with the company's 9" TRA‑9 Chrome tonearm ($8795) and 12" TRA‑9 Ruthenium tonearm ($9995).
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1 week ago |
stereophile.com | Robert Baird
Joe Henderson: MultipleMilestone/Craft CR 00845 (LP). 1973/2025. Orrin Keepnews, prod.; Elvin Campbell, Al Vanderbilt, engs. Performance ****½Sonics ****½The essence of jazz is supposed to be the free-flowing exploration of ideas and expressions. Yet hardcore fans of the music have the unnerving habit of supporting and denigrating the work of the same player from record to record. Artistic growth is often seen as a negative.
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1 week ago |
stereophile.com | Robert Baird
Kathryn Dawn Lang was country ... until she wasn't. A native of the Canadian province of Alberta, lang (who prefers her name lowercase) grew obsessed with Patsy Cline and country music in general before she was out of college. She joined the Patsy-focused country act The Reclines in 1983 in Edmonton. They released their first album, A Truly Western Experience, in 1984.
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