Studio International

1 month ago | studiointernational.com | Christiana Spens

Spanning four centuries and diverse cultures, this show of more than 7o works, including paintings, prints, drawings and objects, explores the mysteries and myths of the world beneath our oceans Tom Anholt, Deep Dive, 2022. Courtesy Josh Lilley, London. Copyright Tom Anholt and Josh Lilley. Photo: Gunter Lepkowski.

1 month ago | studiointernational.com | Lilly Wei

Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable Laurie Simmons, The Music of Regret IV, 1994 (detail). Cibachrome print, 19 1/2 x 19 1/2 in. National Museum of Women in the Arts, Promised gift of Steven Scott, Baltimore, in honour of NMWA Director Susan Fisher Sterling. © 2019 Laurie Simmons.

1 month ago | studiointernational.com | Anna McNay

The artist’s portraits have flown under the radar, but getting to know his sitters reveals a lot about Munch himself Installation view, Edvard Munch Portraits, National Portrait Gallery, London, 2025. © David Parry.

2 months ago | studiointernational.com | Christiana Spens

With work from 1875 to 1925 alongside medieval works, this exhibition considers how modern Nordic and northern European artists such as Käthe Kollwitz and Edvard Munch were influenced by the gothic aesthetic Akseli Gallen-Kallela, Lemminkäinen's Mother, 1897 (detail). © Finnish National Gallery/Ateneum, Antell Collection. Photo: Finnish National Gallery/Hannu Pakarinen.

2 months ago | studiointernational.com | Anna McNay

Glittering, shimmering, dazzling: Thomas’s eye-catching works have more to them than meets the eye, speaking of Otherness and institutional racism, but also offering a complex and empowering vision of Black womanhood Mickalene Thomas, Afro Goddess Looking Forward, 2015. Rhinestones, acrylic, and oil on wood panel, 60 x 96 in (152.4 x 243.8 cm). © Mickalene Thomas.