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1 week ago |
angelusnews.com | Robert Brennan |Heather King |Scott Hahn |Ad rem
I will wager that most people reading this have no idea who St. Fiacre was and what he has in common with the Beatles. The whimsical Beatles song, “When I’m 64,” is a projection into a beautiful future with the singer joyfully looking forward to growing old with his true love, where even the simplest pleasures, such as “doing the garden, digging the weeds,” are things devoutly to be wished for.
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1 week ago |
angelusnews.com | Robert Brennan |Ad rem
The spate of religious/biblical films and television series in the post-“Passion of the Christ” world have been a mixed bag of successes, failures, and everything in between. Popular culture that “borrows” from sacred Scripture usually churns out things so pious they are unwatchable, or takes such liberties and “reinterprets” what God has inspired, the writers of such faire could be charged with assault.
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3 weeks ago |
angelusnews.com | Robert Brennan |Msgr. Richard Antall |Ad rem
We’re in the middle of Lent. We edge ever closer toward the most profound week on the liturgical calendar, capped by the holiest day of the year. There is a lot to think about and a lot to pray over in the remaining Lenten season. So, it is only natural that I’m thinking about a movie series with a computer-animated bear in a winter coat and red hat. I am not going to shoehorn the premise of the “Paddington” movies into a treatise on Christian imagery as it pertains to the passion of Our Lord.
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1 month ago |
angelusnews.com | Robert Brennan |Stefano Rebeggiani |Cindy Wooden |Ad rem
It’s difficult for people today to understand what a monumental cultural impact the film “Gone With the Wind” had on the American imagination. So the scandal the film created when Clark Gable’s Rhett Butler tells Vivien Leigh’s Scarlett O’Hara, “Frankly my dear, I don’t give a damn,” is also lost in the fog of popular culture’s tenuous memory. A lot of words were not said in films then that are now routine on “family” television shows.
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1 month ago |
angelusnews.com | Robert Brennan |Ronald Rolheiser |Madalaine Elhabbal |Ad rem
As someone who works in a homeless shelter, I found the newly released film “No Address” to be an earnest, praiseworthy attempt to put a human face on the social catastrophe known as homelessness. I see the human face of homelessness on a daily basis. Sometimes, that face is not so pleasant. It makes it hard to raise money to keep the lights on. That explains why there is a sameness to the messaging that all homeless services organizations use, and that “No Address” drives home.
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