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Adam Blyweiss

Associate Editor at Treble Zine

Articles

  • 1 week ago | treblezine.com | Adam Blyweiss

    Nothing in this life is promised, our next day is never guaranteed. This existential burden looms over our health broadly, but the reality is that anything can butterfly-effect anything else, choices and actions changing or eliminating our play, our work, our daily mundanities. Outside forces and internal conflicts came close to pushing British musician Simbi Ajikawo away from the art she loved to make as Little Simz.

  • 2 weeks ago | treblezine.com | Adam Blyweiss

    Brian Eno has been music’s perpetual motion machine for decades, staying busy elevating technology to art, tying sound to social issues, and imbuing media with algorithms allowing audio and video to lumber to life so they grow and change on their own. Over the last 30 years he’s teamed up with electronica acts, poets, prog-rockers and post-punks to expand his and their creative vocabulary.

  • 4 weeks ago | treblezine.com | Adam Blyweiss

    The electronic body music (EBM) movement is a decidedly un-American affair, in that most notable EBM has come from artists and countries outside of the United States. With Nine Inch Nails having graduated to superstar status from their industrial beginnings, and other bands like clipping.

  • 1 month ago | treblezine.com | Adam Blyweiss

    One of the regular riffs on Radiohead is that they’re The Most Relentlessly Serious Band in the World. I mean, other contemporary contenders have at least put up a facade of an alternative, right? U2 had a bunch of fun little moments during their electro/industrial phase in the ‘90s, for example, and Rage Against the Machine’s politicized catalog is rife with glorious catharsis.

  • 1 month ago | treblezine.com | Adam Blyweiss

    Did anyone ask for an electroclash revival? Was it ever gone so long that it required one? I have my own answers to these questions, but Sextile provide theirs in the title of their fourth studio LP: yes, please. The Los Angeles trio sound fully divorced from the shoegaze-swirled garage rock that founding members Brady Keehn and Melissa Scaduto first brought to market.

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