Treble Zine

Our goal is to explore a broad range of music genres, including electronic, punk, metal, and hip-hop, with a strong emphasis on independent and underground artists. Treble is not limited to a single perspective; rather, it is a diverse community of individuals with varying opinions and ideas. We are committed to fostering an inclusive environment, both in the topics we cover and the contributors we collaborate with, as we firmly believe that bigotry, racism, and misogyny have no place in the future of music. Each week, we introduce new features and articles about music, including interviews with artists, career retrospectives, personal stories about music, and much more. Our approach is to examine music from different angles, which is why we continuously add fresh columns and features to our lineup. Treble thrives because its team is united by a shared passion for music and a love for writing about it.

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McKinley Dixon : Magic, Alive!

1 week ago | treblezine.com | Jeff Terich

In spite of human vanity and a centuries-long pursuit, immortality has yet to be achieved. The fountain of youth was a bust, vampires aren’t real, and no amount of infusions of younger blood is going to stave off the inevitable. Only figures such as Mozart or Shakespeare ever achieve anything approaching immortality, their works living on centuries beyond their connection to this mortal coil, which were considerably brief by today’s standards.
Hotline TNT : Raspberry Moon

1 week ago | treblezine.com | Greg Hyde

Hotline TNT was conceived by singer, guitarist, and principal songwriter Will Anderson as a solo project. Their 2021 debut album Nineteen in Love was entirely self-recorded during lockdown, but in the aftermath of its release, Anderson assembled various live-band line-ups to promote the record. Enjoyably garagey and lo-fi in its sound, Nineteen in Love featured an energy and propulsion via a preponderance of fuzz pedals that recalled early Cloud Nothings.
Little Simz : Lotus

1 week ago | treblezine.com | Adam Blyweiss

Nothing in this life is promised, our next day is never guaranteed. This existential burden looms over our health broadly, but the reality is that anything can butterfly-effect anything else, choices and actions changing or eliminating our play, our work, our daily mundanities. Outside forces and internal conflicts came close to pushing British musician Simbi Ajikawo away from the art she loved to make as Little Simz.
Graham Hunt breaks down the influences on new album Timeless World Forever

2 weeks ago | treblezine.com | Jeff Terich

Wisconsin singer/songwriter Graham Hunt has played in his share of bands, including Midnight Reruns and Sundial Mottos.
Black Moth Super Rainbow : Soft New Magic Dream

2 weeks ago | treblezine.com | Kurt Orzeck

Nearly a quarter-century after Thomas Fec (aka Tobacco) introduced his no-holds-barred, sensory-overload project Black Moth Super Rainbow, it’s still as zany, colorful, vibrant—and perhaps even vital—than ever. The arrival of BMSR’s newest studio album in seven years couldn’t be more appropriately timed, what with less manic but like-minded peers Stereolab having just made a seismic comeback of their own with their first record in 15 years. Soft New Magic Dream isn’t another token reunion record.
More | Album review | Treble

2 weeks ago | treblezine.com | Langdon Hickman

A confession: I never have been big on Britpop.
Turnstile : Never Enough

2 weeks ago | treblezine.com | Michael Pementel

From a mainstream point of view, no other field of heavy music can hold a candle to hardcore right now. What was once a niche sound has now infiltrated the zeitgeist, with hardcore bands making their way into Coachella and late-night talk shows. Though there are various factors that have guided the modern sound of hardcore to this latest stage of success, one band in particular has been a leading light in its crossover from the underground: Turnstile.
Ty Segall : Possession

2 weeks ago | treblezine.com | Kurt Orzeck

Ty Segall‘s first studio record in about a year—an unusually long time for an artist of his output—could be construed as a reflection on his potential decision to prize quantity over quality. He’s one the most prolific musicians of the past 20 years, and the busiest indie-rocker this side of Guided by Voices, with a body of work that comprises 15 studio albums, two live documents, four compilations, three EPs and 19 singles since he first began releasing music back in 2008.
Brian Eno and Beatie Wolfe : Luminal/Lateral

2 weeks ago | treblezine.com | Adam Blyweiss

Brian Eno has been music’s perpetual motion machine for decades, staying busy elevating technology to art, tying sound to social issues, and imbuing media with algorithms allowing audio and video to lumber to life so they grow and change on their own. Over the last 30 years he’s teamed up with electronica acts, poets, prog-rockers and post-punks to expand his and their creative vocabulary.
Mary Halvorson : About Ghosts

2 weeks ago | treblezine.com | Langdon Hickman

There are times when emotionally enigmatic work can be a frustration. Not on About Ghosts—Mary Halvorson and her newly expanded Amaryllis backing band paint images that are evasive in their discreet emotional character but are so rich in image it feels like a luxurious riddle to ponder. Between Halvorson’s writing and Amaryllis’ almost preternatural level of sensitivity in their interplay, they’ve become sharply attuned to painting lush and deeply floral sound-pictures.