Articles

  • 2 weeks ago | frontline.thehindu.com | Aditya Shrikrishna |Vivek Katju |Vaishna Roy

    There are several enduring images of Raj Kapoor. One image of the greatest showman of Hindi cinema—as he is called—is his riff on Charlie Chaplin and the Tramp, a spitting reflection that he made his own by injecting a lovable, warm-hearted rabble-rouser in films like Awara (1951) and Shree 420 (1955). Another image is that of the lonesome entertainer of Mera Naam Joker (1970), one who barters his life and soul for the endurance of his art, a quality that could belong to the man himself.

  • 2 months ago | fcgreviews.com | Aditya Shrikrishna |Saibal Chatterjee |Gopinath Rajendran

    Guild ReviewsA haunting memoir of Tamil brothers, steeped in childhood traumaIn Avinash Prakash’s Tamil feature film Naangal which premiered at the International Film Festival Rotterdam this week, time is stretched by a limited set of events as if perched on a non-stop Ferris wheel. They are the same moments with their ups and downs, same life-altering triggers that repeat in a cyclical fashion.

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