Articles

  • Dec 8, 2024 | jacobin.com | Agata Pyzik

    For a lover of Soviet avant-garde art, In the Eye of the Storm: Modernism in Ukraine, 1900–1930s is a tipping moment for a few realizations that started around the full-scale invasion on February 24, 2022. The exciting and pioneering art coming out of Soviet empire in the 1920s and ’30s has been Russified for a century.

  • Dec 2, 2024 | artforum.com | Wu Jianru |Zian Chen |Eve Hill-Agnus |Agata Pyzik

    On Art Week Tokyo 2024Tokyo’s contemporary art scene remains enigmatic, even to frequent visitors from across Asia, who are often confounded by Japan’s linguistic and cultural barriers. It is also often eclipsed by the city’s dizzying array of attractions—from its renowned pop culture and cuisine to its striking architecture. Against this backdrop, Art Week Tokyo (AWT) offered a rare window for foreign art professionals into the city’s local art ecosystem.

  • Dec 1, 2024 | artforum.com | Sarah Meyohas |Zian Chen |Eve Hill-Agnus |Agata Pyzik

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • Dec 1, 2024 | artforum.com | Bradford Nordeen |Zian Chen |Eve Hill-Agnus |Agata Pyzik

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • Dec 1, 2024 | artforum.com | Zian Chen |Eve Hill-Agnus |Agata Pyzik |Tina Rivers Ryan

    Thomas de Monchaux, “The New Era Is a Fact: On Cesar Pelli,” n+1There is a special pleasure in unexpectedly coming upon a singular critical voice, accompanied by self-reproach over having missed it before. A recent issue of n+1 delivered such a moment. Not only was a long critical piece on architecture unexpected, but so was its subject: the thoroughly established mega-office of the late Cesar Pelli.

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