
Tina Rivers Ryan
Editor-in-Chief at Artforum
Editor in Chief @artforum. Art historian and critic specializing in video and digital art. Disabled. Cybergoth. Mom. She/her.
Articles
-
2 weeks ago |
artforum.com | Tina Rivers Ryan
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
-
1 month ago |
artforum.com | Tina Rivers Ryan
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
-
2 months ago |
artforum.com | Robert McKelvey |Robert Garland |Darla Migan |Tina Rivers Ryan
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
-
2 months ago |
artforum.com | Tina Rivers Ryan |Eve Hill-Agnus |Travis Jeppesen
VISITORS TO THE Venice Biennale last year could hardly have missed the Golden Lion–winning installation Takapau by Mataaho Collective, a group of four Māori women from Aotearoa New Zealand who have been working together since 2012. A takapau is a Māori woven ceremonial mat; for their version at the Biennale, the group repurposed industrial tie-downs used in cargo transport to create weavings that bridged walls, dividing the room and creating patterns of light and shadow.
-
2 months ago |
artforum.com | Tina Rivers Ryan |Robert Garland |Ayodeji Rotinwa |Darla Migan
PMC, its service providers, and third-party partners collect information about you and how you use our services (including clicks and screen recordings) using first and third-party cookies, pixels, and similar technologies. Learn about our data practices and your choices in our Privacy Policy. By continuing to use our services, you agree to our Terms of Use (including to waiver and arbitration).
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →Coverage map
X (formerly Twitter)
- Followers
- 13K
- Tweets
- 22K
- DMs Open
- No

RT @DDDrewDaniel: This is everyday life in the United States now. The worst part is that millions of voters wanted this level of spectacula…

RT @Artforum: In a Focus Review of “DOOM: House of Hope” for Artforum’s May 2025 issue, Senior Editor @rwetzler deconstructs Anne Imhof’s “…

RT @AlexEstorick: “Since we wrote our Realtime Art Manifesto in 2006, we’ve preached that digital art affords a hybrid nature. Everything d…