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Tina Rivers Ryan

Editor-in-Chief at Artforum

Editor in Chief @artforum. Art historian and critic specializing in video and digital art. Disabled. Cybergoth. Mom. She/her.

Articles

  • 2 weeks ago | artforum.com | Tina Rivers Ryan

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  • 1 month ago | artforum.com | Tina Rivers Ryan

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • 2 months ago | artforum.com | Robert McKelvey |Robert Garland |Darla Migan |Tina Rivers Ryan

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • 2 months ago | artforum.com | Tina Rivers Ryan |Eve Hill-Agnus |Travis Jeppesen

    VISITORS TO THE Venice Biennale last year could hardly have missed the Golden Lion–winning installation Takapau by Mataaho Collective, a group of four Māori women from Aotearoa New Zealand who have been working together since 2012. A takapau is a Māori woven ceremonial mat; for their version at the Biennale, the group repurposed industrial tie-downs used in cargo transport to create weavings that bridged walls, dividing the room and creating patterns of light and shadow.

  • 2 months ago | artforum.com | Tina Rivers Ryan |Robert Garland |Ayodeji Rotinwa |Darla Migan

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Tina Rivers Ryan
Tina Rivers Ryan @TinaRiversRyan
9 May 25

RT @DDDrewDaniel: This is everyday life in the United States now. The worst part is that millions of voters wanted this level of spectacula…

Tina Rivers Ryan
Tina Rivers Ryan @TinaRiversRyan
9 May 25

RT @Artforum: In a Focus Review of “DOOM: House of Hope” for Artforum’s May 2025 issue, Senior Editor @rwetzler deconstructs Anne Imhof’s “…

Tina Rivers Ryan
Tina Rivers Ryan @TinaRiversRyan
6 May 25

RT @AlexEstorick: “Since we wrote our Realtime Art Manifesto in 2006, we’ve preached that digital art affords a hybrid nature. Everything d…