
Alan Zilberman
Freelance Film Critic at Freelance
Film Editor at BrightestYoungThings
Articles
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4 weeks ago |
washingtoncitypaper.com | Alan Zilberman
Thanks for being a member of City Paper! Though the first several minutes of Sister Midnight unfold without dialogue, they communicate a great deal. We learn a lot about the young newlyweds, and their small single-room apartment in Mumbai, India. Their union seems like a traditional arrangement, so when the characters speak, the woman’s deadpan vulgarity is a slight shock. That’s part of the film’s consistent charm—you never quite know what to expect.
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1 month ago |
spectrumculture.com | Alan Zilberman
In interviews, the Australian film directors Danny and Michael Philippou seem like sweet guys. They enthusiastically discuss their projects, describing the genial mood they maintain on set. Perhaps such a positive attitude is necessary in their promotional material because their films can be so harrowing. There were walkouts throughout the brief runtime of their debut, Talk to Me, as if the directors systematically searched for buttons to push or lines to cross.
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1 month ago |
washingtoncitypaper.com | Alan Zilberman |Serena Zets |Pat Padua |Louis Jacobson |Hannah Docter-Loeb
Thanks for being a member of City Paper! There is more to Spanish cinema than Pedro Almodóvar. We can’t deny that the director is a master of the form, but there are plenty of treasures beyond his prolific output. Co-sponsored by the Embassy of Spain and AFI Silver, the mini-festival Spanish Cinema Now! includes provocative films across many genres—without input from the beloved auteur.
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1 month ago |
spectrumculture.com | Alan Zilberman
Even without taking its generic title into account, the new Norwegian drama Love is a tough sell. Director and writer Dag Johan Haugerud creates dramatic situations about fundamentally decent people, and while there are some big emotions, these characters are weary and understated. No one raises their voice, and if there is agitation in a dialogue scene, it never lasts long. Why, then, is Love so compelling?
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1 month ago |
spectrumculture.com | Alan Zilberman
Economical thrillers are a reliable, easy way for a director to find suspense in a cramped setting. The genre got its start with Rio Bravo, a Western that revolutionized the siege movie, and since then, countless directors have used limited space to their advantage. Das Boot is a masterpiece of on-screen claustrophobia, while Panic Room unfolds like a deadly chess game.
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