Articles

  • 6 days ago | vogue.mx | Alice Cary

    Pocas tendencias de la moda provocan tanta nostalgia como los colores neón, esos que te transportan a un lugar y una época concretos. Como niña de los 90, los tonos fluorescentes me traen a la mente montones de brazaletes de plástico de Claire's, medias de dudosa calidad, pendientes de goma. Y si hablamos de la escuela, me persiguen los bolígrafos de gel neón con olor a sacarina y los plumones Stabilo.

  • 6 days ago | vogue.co.uk | Alice Cary

    Charli xcx has worn one specific type of blouse on her Brat tour. Ruffled, plissé and rendered in ivory, it leans into boho territory – but when paired with Charli’s custom briefs, knockout boots and wraparound sunglasses, this blouse is far from the trad definition of boho. It’s a little pirate-y (the spirit of Vivienne Westwood’s 1981 Pirate collection comes to mind), and a little Brat boho (broho?) — a look that will no doubt be prevalent in festival fields and at day parties this summer.

  • 1 week ago | vogue.co.uk | Alice Cary

    Few fashion trends trigger nostalgia – the kind that propels you back to a particular place and time – quite like neon. As a ’90s baby, fluorescent shades call to mind stacks of plastic Claire’s bangles, questionable hosiery choices, rubbery spiked earrings and two-tone piped Topman polos. And if we’re talking school desks, then I’m haunted by saccharine-scented, fluoro gel pens and Stabilo highlighters.

  • 1 week ago | vogue.pl | Alice Cary

    Tego lata, jestem pewna, triumfy święcić będą dłuższe szorty damskie – takie, które sięgają do kolan i zadowalają nas nonszalanckim luzem. Jednak, jeśli jest jedna rzecz, której dowiedziałam się, poszukując idealnej pary krótkich spodenek, to fakt, że praktycznie niemożliwym jest określenie, jaka długość nogawki będzie w ich przypadku odpowiednia.

  • 1 week ago | vogue.co.uk | Alice Cary

    Some cult bags have a tendency to come and go, but the best styles stick around for the long run – Balenciaga’s Motorcycle bag (now known as Le City) is one such example. And it reportedly wasn’t ever even meant to go into production: in 2001, then-creative director, Nicolas Ghesquière, designed the perfectly-slouchy tote as a runway accessory.