
Articles
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1 week ago |
hypebeast.com | Alice Morby
SummaryDiller Scofidio + Renfro designed the V&A East Storehouse in London, transforming a former 2012 London Olympics broadcast center into a museum space. The V&A East Storehouse is designed to display the museum’s extensive collection, housing over 500,000 objects, including 250,000 objects, 350,000 books, and 1,000 Archives. The Storehouse functions as both a display and a working space, featuring conservation studios with public viewing areas and an “Order an Object” system for visitors.
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2 weeks ago |
hypebeast.cn | Alice Morby
1 of 7 2 of 7 3 of 7 4 of 7 5 of 7 6 of 7 7 of 7 巴黎设计师 LS Gomma 于威尼斯推出全新展览「Heavy Reticello」,展期恰逢威尼斯建筑双年展。 该展览由伦敦 Max Radford 画廊呈献,展出多件由 LS Gomma 标志性材质 —— 金属网覆橡胶 —— 制成的座椅与照明作品。 「Heavy Reticello」被形容为对历史威尼斯工艺的一种致敬与演进,并以大胆且具触感的材质语言重新诠释传统技艺。 巴黎设计师 LS Gomma 在威尼斯推出全新作品展「Heavy Reticello」,由伦敦 Max Radford Gallery 呈现,展览与威尼斯建筑双年展同步开幕。展览名称取自蕾丝与玻璃吹制工艺中的 reticello 网格图案,但 LS Gomma 以金属网结合橡胶材质,独特演绎这一传统结构。 Max Radford 表示:「LS Gomma 的创作与穆拉诺玻璃工坊的工艺有著深刻连结,在威尼斯展示这系列作品是自然而然的选择。」展览于威尼斯双年展期间,在 Palazzo Contarini della...
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2 weeks ago |
hypebeast.com | Alice Morby
Paris-based designer LS Gomma is presenting a new exhibition titled “Heavy Reticello” in Venice, coinciding with the Venice Architecture Biennale. The exhibition, presented by London’s Max Radford Gallery, features seating and lighting made from LS Gomma’s signature combination of metal mesh covered in rubber“Heavy Reticello” is described as both an homage to and an evolution of historical Venetian craftsmanship, translated into a bold and tactile material language.
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3 weeks ago |
dezeen.com | Amy Frearson |Jennifer Hahn |Alice Morby |Rose Etherington
Japanese studio Torafu Architects have designed a lidded bowl that can be split into two parts and mounted on the wall as shelves. More
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3 weeks ago |
hypebeast.cn | Alice Morby
丹麦设计品牌 GUBI 将法国设计师 Pierre Paulin 的经典之作 F300 椅子重新带回生产线。这款于 1960 年代末问世的椅子,凭借其前卫造型与流畅曲线,早已成为设计界的隽永经典,至今仅能透过二手市场觅得。GUBI 此次与 Pierre Paulin 之子 Benjamin Paulin 携手,细腻还原原版细节,同时融入现代生活需求的改良。 F300 标志性的未来主义外型与流线曲线得以完整保留,但材质上迎来重大更新。原版椅壳采用玻璃纤维与聚氨酯注塑成型,如今则改用来自工业塑料废料的工程聚合物 HiREK®,回应当前对永续家具的殷切需求。配色选择也更加丰富,椅壳提供亮白与淡绿色调,椅面则涵盖从鲜黄到深红的多样色彩,搭配 Sørensen Dunes 顶级苯胺皮革,随着时间推移更添自然光泽。 Benjamin Paulin 谈及此设计:「F300 完美体现了我父亲对设计的理念,追求雕塑感、优雅与舒适的平衡。它不仅是一张视觉抢眼的椅子,带有鲜明的趣味与个性,更蕴含对人体坐姿的深入研究。其造型让人一坐下便不由自主放松。」 与 F300 椅子同步回归的还有 T877...
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