Alice Teeple

1 week ago | post-punk.com | Alice Teeple

Dallas duo Sucio blesses the masses with their hypnotic new LP, Bloc, plunging headfirst into a lush underworld of 80s-infused darkwave and icy coldwave intrigue. Ana and Emilio, the minds behind the project, effortlessly summon the moody energy of late-night cityscapes, drenched in neon and nostalgia. Think Twin Tribes colliding gracefully with Molchat Doma, with playful nods to Spandau Ballet and Martin Dupont peppered throughout.

1 week ago | post-punk.com | Alice Teeple

With the new single Mind, Tropics (the mercurial moniker of British-born electronic enigma Christopher Ward) delivers a dizzying dance through dreamy electronica, where hypnotic harmonies entwine with off-kilter ambience. Ward, now settled in the sunlit sprawl of Los Angeles, concocts a kaleidoscope of looping vocals that linger and lure,  pulling listeners into an uncanny, rhythmic reverie.

1 week ago | post-punk.com | Alice Teeple

Hailing from Morbegno, Italy, Seneca Effect carves a compelling space in contemporary post-punk and alternative rock. Featuring Matteo Oreggioni’s vigorous vocals, Loris Mattarucchi’s charged guitars, Simone Della Vedova’s bold basslines, and Claudio Franzini’s thunderous percussion, the band channels an evocative 90s ethos infused with fresh melodic momentum. Their latest album, Disertare, converts existential dread into accessible art.

1 week ago | post-punk.com | Alice Teeple

In the hush of midnight solitude, each choice we have presented to us looms like a trembling flame, casting shadows of consequence across uncertain walls. Life, fragile as breath upon a windowpane, compels us forward even as we falter, afraid to misstep into the boundless dark of possibility. Our hearts strain beneath the weight of infinite paths, haunted by the specter of what might have been, paralyzed by the chance of regret.

1 week ago | post-punk.com | Alice Teeple

Dotsun Moon, the Buffalo, NY-based brainchild of multi-instrumentalist Richard Flierl, resurfaces with the lush and layered new single, Save Us. Ever since the project’s hazy nocturnal debut 4 A.M. dropped in 2011, Flierl has persistently pursued dream-laden atmospheres and crystalline guitar reveries, gently drifting through various iterations and lineup evolutions.