Amy Sillman

Jan 3, 2025 | frieze.com | Andrew Durbin |Amy Sillman |Lucy Ives

Dear Joan,We never met, but when this magazine decided to organize a collection of writings honouring you on the centenary of your birth, my first thought was how much I wish I could have spoken to you, just once. I can’t explain why. The sound of your voice? That slight rasp, that hint of impatience with any responsibility – interviews, public lectures, television appearances – other than what was happening in the studio.

Dec 19, 2024 | washingtonpost.com | Amy Sillman

Warning: This video features flashing images that may affect photosensitive viewers. It's best experienced with sound on. Play Warning: This graphic requires JavaScript. Please enable JavaScript for the best experience. By Amy Sillman with sound by Marina Rosenfeld Amy Sillman is a visual artist known for process-based paintings that incorporate abstraction and figuration and engage nontraditional media including animation, zines and installation.

Nov 29, 2024 | kunstbulletin.ch | Amy Sillman

Im Kunstmuseum Bern präsentiert die US-Amerikanerin Amy Sillman eine Solo- und eine Sammlungsschau. Mit einer Mischung aus abstrakter und gegenständlicher Malerei macht sie darin Zeitlichkeit so ernsthaft wie lustvoll erfahrbar, wobei sie auch die Ausstellungsräume eigens und eigenwillig gestaltete. You can read the full text in the current printed issue of the art newsletter or by registering as a subscriber. Buy individual items Do you just want to read this article?

Aug 9, 2024 | washingtonpost.com | Amy Sillman

with sound by Marina RosenfeldAugust 9, 2024 at 10:30 a.m.Amy Sillman is a visual artist known for process-based paintings that move between abstraction and figuration and engage nontraditional media including animation, zines and installation. She curated the Museum of Modern Art’s collection in 2019 and 2020 with an Artist’s Choice show called “The Shape of Shape,” and a focused overview of her work will open in September at the Kunstmuseum Bern in Switzerland.

Feb 1, 2023 | artforum.com | Amy Sillman

The curtain rose quickly to reveal a quiet stage dominated by a huge rectangular backdrop painted by Alex Katz with puffy clouds arrayed in pink-violet tones, though it was hard to say which colors were painted and which were conjured by Jennifer Tipton’s perfect lighting. On the bare stage were eight clumps: the dancers lying motionless, two of them covered by cheerfully patterned beach blankets.