Articles

  • 6 days ago | vulture.com | Angelica Jade Bastién

    It’s a film that will haunt me just as much as it will keep me wondering who Ryan Coogler wants to be on the other side of Creed and Black Panther. I have always felt that the South gives America back to itself, ripping illusions from truth. When I see Looney Tunes images of Bugs Bunny sawing off Florida, as if relinquishing land below the Mason-Dixon Line will save our fractured society, my heart breaks.

  • 6 days ago | flipboard.com | Angelica Jade Bastién

    NowLudwig Göransson has scored some of the most visually and emotionally arresting films of the last decade, including both Black Panther films, as well as Tenet, Oppenheimer, and others. The two-time Oscar winner (who has also earned several Grammys and an Emmy as well) has a new movie out on Friday: …

  • 1 month ago | vulture.com | Angelica Jade Bastién

    The slick thriller starring Michael Fassbender and Cate Blanchett manages to make monogamy look hot. That’s how good this Steven Soderbergh film is. Black Bag begins with Michael Fassbender’s back to the camera in an unblinking tracking shot from city street to subterranean club, and it is immediately clear that I am in the hands of a master. In this case, Steven Soderbergh, in his second film of the year, after the ghost story Presence.

  • 2 months ago | vulture.com | Angelica Jade Bastién

    In adapting a Stephen King short story, director-writer Osgood Perkins clearly delights in crafting explosive, gory kills meant to spark a laugh more than terrify. Over the course of the film’s hour and 38 minutes, Perkins’s thinly drawn characters are set aflame, their heads are turned to vague viscera by bowling balls or made jelly by wild trampling horses, there is splatter from unforeseen shotgun wounds and unspooled intestines pulled taught by surprise harpoons to the gut.

  • 2 months ago | vulture.com | Angelica Jade Bastién

    For months, cinephiles have claimed to find substance in a certain body-horror movie. I am politely asking you to look elsewhere. About 40 minutes into A Different Man, the face of Edward Lemuel, the striving actor played with wounded insecurity by Sebastian Stan, begins to fall off in reddened, meaty chunks. Edward is a man with neurofibromatosis, which manifests most noticeably as tumors on his cheeks, forehead, and chin.