
Anna Shechtman
Editor-at-Large at Los Angeles Review of Books
English Lit @cornell — Editor-at-Large @lareviewofbooks — Cruciverbalist @newyorker
Articles
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1 week ago |
newyorker.com | Anna Shechtman
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2 months ago |
newyorker.com | Anna Shechtman
© 2025 Condé Nast. All rights reserved. may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices
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2 months ago |
newyorker.com | Anna Shechtman
© 2025 Condé Nast. All rights reserved. may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices
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Feb 3, 2025 |
newyorker.com | Anna Shechtman
© 2025 Condé Nast. All rights reserved. may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices
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Jan 26, 2025 |
nybooks.com | Anna Shechtman
During the Q&A after the US premiere of Leos Carax’s It’s Not Me, last fall at the New York Film Festival, someone asked about his interest in shit. The provocation was not altogether inappropriate: Carax’s forty-two-minute essay film begins, after all, with Monsieur Merde, a recurring character in three of his last four major films.
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I wrote today's @NewYorker crossword: https://t.co/ngyXxuurUz https://t.co/KMGzF8FqR9

Happy pub day to my brilliant mom! Her book on Alice Austen was recommended by @hyperallergic for Pride Month. I recommend it too!!: https://t.co/OcLh6URdlk https://t.co/lMcO8cwcwu

Must-read profile by @AvaKofman. Expertly negotiates the gap between what can feel like her subject's world-historical significance and his total, unbelievable slightness: https://t.co/6kDvq7eTwi