
Articles
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1 week ago |
variety.com | Aramide Tinubu
There have been several TV series recently centering on the intricacies of sisterhood. From Netflix’s “Sirens” to Peacock’s “Long Bright River,” this particular sibling connection is having a moment.
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1 week ago |
variety.com | Aramide Tinubu
It takes a particular type of tenacious human being to doggedly pursue clues long after things have stalled, and Netflix‘s latest crime thriller, “Dept Q,” based on the book series by Jussi Adler-Olsen and adapted for television by “The Queen’s Gambit” creator Scott Frank, revolves around a brilliant but vexing detective. Detective Chief Inspector Carl Morck (a brilliant Matthew Goode) is talented, sarcastic and wholly unlikable.
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2 weeks ago |
variety.com | Aramide Tinubu
It’s been three years since Jerrod Carmichael came out publicly in his Emmy-winning comedy special “Rothaniel.” Following the special’s debut, the 38-year-old comedian, who obviously loves the spotlight, allowed the cameras to follow him in the eight-episode unscripted series, “Jerrod Carmichael Reality Show.” In his latest HBO comedy special, “Jerrod Carmichael’s Don’t Be Gay,” he reflects on what happened after allowing cameras to witness some of the most intricate details of his life, his...
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2 weeks ago |
variety.com | Aramide Tinubu
Created by John A. Norris, Prime Video‘s new YA drama, “Motorheads,” centers on racing, legacy and the choices that shift our lives forever. The series follows Caitlyn (Melissa Collazo) and Zac Torres (Michael Cimino), who leave Brooklyn with their mother, Samantha (Nathalie Kelley), moving to her hometown of Ironwood, a dying community in the Rust Belt. The twins are divided about making the move midway through high school.
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2 weeks ago |
variety.com | Alison Herman |Aramide Tinubu
Everyone knows “The White Lotus,” “The Pitt,” “Severance” and “The Studio” are set to (deservedly) dominate this year’s Emmy Awards. But what about the other worthy shows that may not be as obvious — like Peacock’s lush assassin spy series “The Day of the Jackal,” or Bridget Everett’s quietly heart-wrenching “Somebody Somewhere”?
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