Ariella Budick

RT @HeatherThomasAF: #GusIsUs

RT @DyjuanTatro: Not one woman at the table. Not one woman at the table. Not one woman at the table.

RT @simon_schama: brilliant !!

RT @joshspero: 🚨 For the past year, @AnjliRaval and I have been investigating allegations of serious sexual and emotional abuse against the…

RT @joshcarlosjosh: I have stolen the docs now they're in the bathroom the one with the low-hanging chandelier above the toilet Forgive m…

RT @ftweekend: For Aliza Nisenbaum, whose paintings enliven the walls of the Queens Museum, warmth and colour have an e sharp political edg…

RT @joshspero: This show looks so good, really wish I were in New York to see it https://t.co/O6P3DZjNId

RT @ftweekend: Van Gogh’s Cypresses at New York’s Metropolitan Museum homes in on one of his most dogged obsessions and his under-appreciat…

RT @NebraskaMegan: Speechless. Thank you. Abortion is legal in Nebraska. https://t.co/56UgThZoo5

RT @aservais1: Cecily Brown at the Metropolitan Museum review by @AriellaBudick — guts, gore and the passage of time. Patronised by critics…

RT @RubinMuseum: We love @AriellaBudick's pairing of our newest exhibition, #DeathIsNotTheEnd, and "Comparative Hell" at @AsiaSocietyNY (wh…

RT @aservais1: Visions of Hell terrify and tease in two New York exhibitions. The @RubinMuseum and the @AsiaSocietyNY consider the afterlif…

RT @ftweekend: Diego Velázquez painted Juan de Pareja in 1650, muting all signs of rank and class so that, despite his dark skin, he became…

RT @aservais1: Beautiful review by @AriellaBudick Jack Whitten: The Greek Alphabet Paintings. A New York exhibition @DiaArtFndn captures a…

The Upper West Side’s Zone of Pedestrian Death https://t.co/X8yhxVQgwV via @curbed Intensively researched, rational, passionate and, in the end, horrifying article by @jdavidsonnyc. A must-read.