
Articles
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1 week ago |
goodgritmag.com | Ashley Locke
Art has long been at the heart of Appalachian life, but Neo-Appalachian art brings a fresh kind of intentionality to the table. Case in point: Print House, a new printmaking studio, gallery, and education center created by artists Anna Bryant and Denise Markbreit. After losing their previous space in last year’s hurricane, the duo rebuilt with fire and purpose, creating a hub where printmaking meets community—and where anyone, regardless of skill level, can get their hands a little inky.
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2 weeks ago |
goodgritmag.com | Ashley Locke
The menu is both a celebration and a statement: elevated Chinese cuisine rooted in tradition but executed with fine dining finesse. Think applewood smoked Peking duck, melt-in-your-mouth sourdough scallion pancakes, flaky salt-baked Bucksnort trout, and vegetables that hold their own on the plate. Each dish is layered, intentional, and bursting with flavor. And the wine list? A revelation.
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3 weeks ago |
goodgritmag.com | Ashley Locke
How Asheville’s Craft Community Is Rebuilding—One Work of Art at a TimeWords by Ashley LockeYou don’t have to look far in Asheville to find creativity—it’s baked into the brickwork, the coffee shop playlists, the handmade mugs cradled in every local’s hand. But at the Center for Craft, something deeper is unfolding this summer: a story of resilience, revival, and what it means to create when everything else falls apart.
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1 month ago |
goodgritmag.com | Ashley Locke
Inside Asheville’s Print HouseWords by Ashley LockePhotos by Nicole McConvilleThere’s something magnetic about Asheville. Maybe it’s the way the Blue Ridge Mountains roll like waves on the horizon. Or the way creativity hums through every muraled alleyway, every indie bookstore, every surprise pop-up performance on a sidewalk corner. But even in a city full of color and character, one new space is standing out—and it’s doing so in ink.
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1 month ago |
goodgritmag.com | Ashley Locke
That legacy is reflected in every inch of the Flying Fifty. Each of its seven suites tells a different story, celebrating the industries, institutions, and traditions that built Cullman. Amy worked closely with the hotel’s owners, Paul and Challie Knetter, to create spaces that feel both nostalgic and elevated, ensuring that visitors don’t just stay in Cullman—they experience it. From the moment she walked through the hotel’s unfinished spaces, Amy’s mind buzzed with ideas.
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