
Bertolt Brecht
Articles
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Oct 1, 2024 |
bfi.org.uk | Ryan Swen |David Parkinson |Lillian Crawford |Bertolt Brecht
With the exception of Apichatpong Weerasethakul, the Malaysian-Taiwanese director Tsai Ming-liang is likely the most famous active filmmaker within the loose style known as slow cinema. Renowned for his static long takes, minimal dialogue, and the obscure and unpredictable nature of his pacing and narratives, Tsai operates at an extreme end of the general cinephilic consciousness.
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Sep 30, 2024 |
bfi.org.uk | David Parkinson |Lillian Crawford |Bertolt Brecht |David Parkinson Obituaries
“That girl has a magic,” Kenneth Williams confided to his diary while appearing in Peter Shaffer’s twinned 1962 plays The Private Ear and The Public Eye opposite Maggie Smith. He also noted that Smith had “a deftness of touch in comedy that makes you really grateful”. But Smith herself, who has died aged 89, had mixed feelings about her gift. “I got pigeonholed in humour,” she told The Guardian in 2004. “If you do comedy, you kind of don’t count.
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Sep 26, 2024 |
bfi.org.uk | Lillian Crawford |Bertolt Brecht |Chloe Walker |George Bass
When you’re asked to introduce a screening at BFI Southbank, you’re given one firm instruction on content: no spoilers. This can be rather difficult, for what exactly constitutes a ‘spoiler’? If one wishes to watch a film completely blind, then it is probably worth forgoing an introduced screening altogether. It is true that for most cinema audiences the element of surprise is essential.
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Sep 25, 2024 |
dialnet.unirioja.es | Bertolt Brecht
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Sep 23, 2024 |
bfi.org.uk | Bertolt Brecht |Chloe Walker |George Bass |Jasper Sharp
This poem comes from a set of seven called “Gedichte aus dem Messingkauf”. In each of these Brecht gives practical advice to those who work in the theatre. They thus offer a remarkably concise exposition of his aims and demands as a dramatist.
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