
George Bass
Articles
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1 week ago |
bfi.org.uk | Philip Concannon |David Parkinson |Josephine Botting |George Bass
What I love about watching Jaws now is that for all the technology that exists, which didn’t exist 50 years ago, there’s nothing new that’s been invented that makes moving that pneumatic shark on a sled any easier. It’s still as hard today as it was then. It’s all ‘in camera’, and to this day nobody has been able to really duplicate what was accomplished, even in the sequels.
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1 week ago |
bfi.org.uk | David Parkinson |Josephine Botting |George Bass |Pamela Hutchinson
It takes chops to steal a film from Richard Burton and Clint Eastwood. But Derren Nesbitt – who turns 90 on 19 June – did exactly that in Brian G. Hutton’s film of Alistair MacLean’s Where Eagles Dare (1968). And he was only on screen for a fraction of the epic’s 155-minute running time. He had played Germans before, in The Blue Max (1965) and The Naked Runner (1967).
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1 week ago |
bfi.org.uk | Josephine Botting Rarities |Josephine Botting |George Bass |Pamela Hutchinson
In September 1962, the Sunday Express reported on the presence of a fading Hollywood star in London. “Once he could not have stepped into a London street without being mobbed,” the article said. “Now at 8.30 on a busy morning in Oxford Street, no one pays the slightest attention to him. Who is he, this man with a beard who goes unnoticed in the crowd? He was once the greatest screen tough guy of them all.” The former ‘tough guy’ was Edward G.
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2 weeks ago |
bfi.org.uk | George Bass |Pamela Hutchinson |Adam Scovell |Tambay Obenson
Bringing claustrophobic dread and gory practical effects to an English village, The Quatermass Xperiment is the movie that put Hammer Films on the map and has proved an enduring inspiration to the likes of Stephen King and John Carpenter. 13 June 2025An experimental space rocket has returned to earth, crash-landing outside an English village.
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Mar 24, 2025 |
bfi.org.uk | George Bass |Kevin Harley |Linda Williams |Emily Maskell
The 1952 documentary Atoms at Work, available on BFI Player, describes the particle of the title as both a “source of destruction” and “one of the greatest creative sources known to man”. The accompanying black-and-white footage shows balloons measuring atmospheric cosmic rays, and technicians using tongs to handle radioactive material.
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