Bonnie Langedijk

6 days ago | hurs-official.com | Bonnie Langedijk

Rachel Jones is painting on her own terms. Since graduating in 2019, she’s built a career that resists the traditional gallery grind—leaving a major dealer, staging an opera, and collaborating with Loewe. Her upcoming show at Dulwich Picture Gallery draws from cartoons, classical painting, and raw emotional states, with her signature toothy motifs now joined by tongues—symbols of intensity and expression. She moves fast, resists over-explaining, and prioritizes instinct over polish.

1 week ago | hurs-official.com | Bonnie Langedijk

Our curated product edit recommends you standout fashion, art, food, and design — both old and new.

1 week ago | hurs-official.com | Bonnie Langedijk

By HURS TeamOnce upon a time, building a business meant building a brand — something distinct, a creation that could stand apart from its creator. Today, that distinction feels increasingly fragile, as the cultural imperative to build a personal brand overtakes every other priority. It’s no longer enough to have a compelling product or a clever idea; the expectation is that you yourself become the product, the spectacle, the daily performance. This shift is less evolution and more encroachment.

1 week ago | hurs-official.com | Bonnie Langedijk

Do you remember the first artist or artwork that really left an impression on you? Amélie: My mother is an artist, so I spent all my childhood going to exhibitions. I remember two of them really well. The first one was a show of Magritte in the Luxembourg Garden Museum. And to be honest, I don't like Magritte now, but as a kid the surrealism is quite funny. Another one is the Nymphéas of Monet at Musée de l'Orangerie. I remember I felt very small in this huge room.

1 week ago | hurs-official.com | Bonnie Langedijk

In 2019, a groundbreaking exhibit at the Guggenheim Museum unveiled a relevantly unknown female artist whose work would upend the art world’s understanding of the course of modernism. Working in the late 19th and early 20th century, Swedish artist Hilma Af Klint’s abstract and mystically-grounded work predated cornerstone figures within modernism such as Kadinsky.