
Articles
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Dec 5, 2024 |
letterboxd.com | Ella Kemp |Brian Formo |Annie Lyons
It was in the seventeenth century that John Donne wrote that no man is an island, and in the twentieth that Wim Wenders seemingly took that famous line of the English poet’s ‘Devotions upon Emergent Occasions’ and built a whole universe around it with Paris, Texas. “Entire of itself, every man is a piece of the continent, a part of the main,” Donne’s writing continues. That man, in 1984, is Travis Henderson (Harry Dean Stanton), and the main continent is America.
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Oct 11, 2024 |
letterboxd.com | Brian Formo |Gemma Gracewood
Saturday Night Live is back for its 50th season, and it’s already receiving a bounty of anniversary goodwill. With Maya Rudolph, Dana Carvey, Jim Gaffigan, Andy Samberg, James Austin Johnson and Bowen Yang tackling the significant figures of the 2024 election cycle, the hallowed series has already posted its highest ratings since… well, the last election.
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Sep 25, 2024 |
letterboxd.com | Gemma Gracewood |Brian Formo |Eternal Sunshine |Big Picture
“Hers was a unique eye,” says Lee director Ellen Kuras of the groundbreaking WWII photojournalist, Vogue model and her surrealist muse Lee Miller. “One could argue it’s a female gaze, but I tend to think of it as a humanist gaze; someone who really looked at people and cared about people and believed in justice.
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Sep 23, 2024 |
letterboxd.com | Ella Kemp |Brian Formo |Mitchell Beaupre |Marie Antoinette
It was a flop. The facts and fiction that made up the life of Marie Antoinette may never stop being disputed, but one truth is indelible: Marie Antoinette, on the big screen, did not thrive. The 2006 film’s director, Sofia Coppola, says so unashamedly. Box office takings weren’t great, reviews were mixed, the shoot was hard. While the process and final product were amazing and enlightening, the whole thing was so taxing that Coppola nearly gave up on filmmaking.
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Apr 19, 2024 |
letterboxd.com | Brian Formo |Aaron Yap |Gemma Gracewood |Marie Antoinette
In Civil War, there’s a scene that is striking for how it lets Kirsten Dunst, briefly, engage with a war film like she’s on a Sofia Coppola set. Alex Garland’s latest feature is set in a fictional second American Civil War that’s been going on for an unknown number of years. Dunst plays tenured war photographer Lee Smith, whose reputation is widely known but has taken a decade-plus toll.
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