
Ella Kemp
Freelance Culture Writer and Editor at Freelance
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Articles
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2 weeks ago |
letterboxd.com | Ella Kemp |Tonino Guerra |Hideo Oguni
Every Wes Anderson film offers a cinematic education: a glimpse into the singular filmmaker’s universe, his quirks and loves and obsessions that have been growing and morphing over nearly 30 years now.
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1 month ago |
letterboxd.com | Dan Mecca |Ella Kemp |Alex Kurtzman |Roberto Orci
The set pieces in the Mission: Impossible series are already the stuff of legend, and the franchise isn’t even finished yet (though this latest film may be it). Name a Mission: Impossible movie, and another fan could identify it with the stunt: “Oh, that’s the one where he hangs on the side of the plane.” That’s cinematic staying power. As the films have gone on, the scope and scale of each sequence has grown to match the expectation of an eager fan base.
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1 month ago |
yahoo.com | Ella Kemp
Editor’s Note: This review was first published during the 2023 Cannes Film Festival. Vertical releases “The New Boy” in select theaters Friday, May 23, 2025. The spark of life that gave Warwick Thornton what is now “The New Boy” took 18 years to flicker, and then fully glow.
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1 month ago |
letterboxd.com | Ella Kemp |Rafa Sales Ross
There is no one good way to do Cannes: a meeting of minds in which ten days feel like six months, we come to celebrate the next crop of big hits and slow-burns, under the beating French sun and surrounded by simultaneously enlivened and exhausted cinephiles who will stop at nothing to share their love of films. So, as Letterboxd members, we’re home.
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1 month ago |
letterboxd.com | Xuanlin Tham |Robert Daniels |Ella Kemp |La haine
Liberté, egalité, fraternité. Blue, white, and red. Saïd (Saïd Taghmaoui), Vinz (Vincent Cassel), Hubert (Hubert Koundé). What is the power of three? Three decades ago, La Haine exploded onto the world stage at the 1995 Cannes Film Festival, winning 27-year-old Matthieu Kassovitz the prize of Best Director and searing its name—two deceptively soft-sounding French syllables for what we would imagine being snarled, hurled, splintering and enraged, hatred—into the annals of film history.
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