
Articles
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3 weeks ago |
artillerymag.com | Emma Christ |Brittany Menjivar
Sontag famously wrote about the photograph as a means of securing ownership over an ethereal past. Her words come to mind as one moves through Hailey Heaton’s “Hissyfit,” which reckons with the erosion of memory (and therefore history) through dementia.
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3 weeks ago |
artillerymag.com | Emma Christ |Brittany Menjivar
It’s not uncommon that an art show claims to deconstruct the human form and challenge societal notions of beauty. Derrian Pharr’s innovative “I Am a Bloodstone” makes good on this promise. The otherworldly heroines in Pharr’s works (made with pastels and prisma pencils) fail to conform even to conventions for fantastical species (fairies, mermaids, et al.). Hair takes on the texture of feathers or fur, or coils into a tail.
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1 month ago |
adolescent.net | Brittany Menjivar
If you’ve met me even briefly, it will come as no surprise that I was a theater kid growing up. I still remember the choreo from musicals I performed in back in high school—so whenever I walk into a bar and don’t see anyone on the floor, my heart sinks a little. Stud Country finally gave me an excuse to dust off my dance shoes.
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1 month ago |
artillerymag.com | Emma Christ |Brittany Menjivar
Atom Egoyan’s 2008 film Adoration follows a half-Arab teenager who weaves a fictional story about his father orchestrating a terrorist attack, causing a stir within his suburban community. Adapting it would be a difficult task in any case—not just because of the weighty subject matter, but because the plot is rather convoluted, involving a meddling drama teacher with her own secret history.
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1 month ago |
artillerymag.com | Emma Christ |Brittany Menjivar
Per the exhibition text, “The Monster,” a multi-media group show at Pace Gallery, deals with the abstract creatures from early nightmares rather than the metaphorical “monsters” that haunt our adult existence. Childhood logic filtered through an adult POV often lends itself to singular images—so I was frustrated to see how many of the works curated relied on similar representational heuristics for terror and otherness.
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