Caroline Samoluk

Nov 28, 2023 | georgetownvoice.com | Graham Piro |Caroline Samoluk |Claire Goldberg |Madison Cheng

As Priscilla Beaulieu (soon to be Presley) navigates the realms between innocence and infatuation, she gently traces a heart around her and Elvis Presley’s names. This snapshot of girlhood, familiar to so many lovesick teens, subtly foreshadows the romance and entrapment that jointly defines the fabric of their iconic relationship.

Nov 19, 2023 | georgetownvoice.com | Ajani Jones |Nathan B. Barber |Caroline Samoluk

In every tale of virtue, valor, and triumph, there’s a formidable adversary for our hero to overcome. Across the media spectrum, the most iconic villains have always been huge personalities in their own right, rivaling even the main protagonist’s charisma.

Aug 12, 2023 | georgetownvoice.com | Maanasi Chintamani |Francesca Theofilou |Julia Kelly |Caroline Samoluk

Almost as notorious as Taylor Swift herself are her Swifties. To a degree nearly unparalleled by any other contemporary popstar, Swift has amassed a massive, fiercely dedicated fan contingent, many of whom (these writers included!) have considered themselves Swifties for well over a decade. As Swift’s record-breaking Eras Tour has highlighted, the singer has gone through countless reinventions, from changes in musical genre and aesthetics to an ever-evolving public image.

Apr 25, 2023 | georgetownvoice.com | Caroline Samoluk |Julia Kelly |Romita Chattaraj |Lucy Cook

The boys are back.  On March 24, Fall Out Boy released their eighth studio album So Much (For) Stardust, making their long-awaited comeback. Many feared that after their last album M A N I A (2018), the band had lost their touch when they strayed too far from their classic emo sound with this poorly received experimental pop/electropop album—luckily, this new album is a return to their pop-punk days.

Feb 5, 2023 | georgetownvoice.com | Caroline Samoluk |John Buckley |Anna Savo-Matthews |Gokul Sivakumar

Halftime Leisure Design by Elyza Bruce One cursed weekend last February, my friends and I made a life-altering decision: to marathon the After movies. What we witnessed was a plot disaster propped up by toxic masculinity and romanticization of abusive relationships, and absolutely no continuity—even the casting wasn’t consistent. And yet, we ate it up.