
Carolyn Giardina
Senior Entertainment Technology and Crafts Editor at Variety
Editorial Consultant at CinemaEditor Magazine
Senior entertainment technology & crafts editor at Variety and Variety VIP+
Articles
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3 days ago |
variety.com | Carolyn Giardina
As Hollywood explores the potential impact of AI, there’ve been no shortage of conferences, technology testing and conversations to address this topic. In fact, the Television Academy held a well-attended AI Summit in mid-March, though there was still a lot of hesitation around the elephant in the room.
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3 days ago |
variety.com | Carolyn Giardina
Visual effects wizards have brought to life two of this season’s most buzzed about series. Here’s a look at their creative process that succeeded in making reel events look real. The Penguin The eight-episode HBO series involved 3,170 visual effects shots created with “grounded reality” in mind, from a group of VFX studios including Pixomondo, Screen Scene, Stormborn Studios, Frost FX and DNEG’s ReDefine division.
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6 days ago |
variety.com | Carolyn Giardina
When creator Mike White moved “The White Lotus” to Southeast Asia and the fictional White Lotus wellness resort in Thailand, the third season became its most challenging yet for picture editing and sound, both for the requirements of the locations and a desire to not simply repeat themselves. In each season, the setting effectively becomes a character in the show.
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1 week ago |
variety.com | Carolyn Giardina
Belgium cinema projector developer Barco is launching its HDR by Barco premium cinema tech into India. The company has inked a pair of deals that will bring at least 80 HDR by Barco laser projectors to cinemas in India, followed by Sri Lanka and Bangladesh, by 2030. Additionally, Prasad Film Labs in Chennai has opened India’s first HDR color grading theater to be equipped with the Barco projector, aimed at production and post for both local and international productions.
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1 week ago |
variety.com | Carolyn Giardina
Paramount’s “Mission Impossible – The Final Reckoning” and Disney’s “Lilo & Stitch” may include some of the final credits of VFX giant MPC and commercial VFX studio The Mill, both of which were owned by Technicolor, which collapsed in February amid dire financial circumstances. The final credits for the conclusion of the Tom Cruise’s “Mission Impossible” franchise included roughly a dozen VFX companies, including MPC and The Mill.
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Producer Chris DeFaria on Creator Economy and Strategy Behind Startup Chronicle Studios: ‘We’re Trying to Invert the Development Process’ #FMX2025 https://t.co/jouX7p0cSD via @variety

AI Startup Morphic to Produce Anime Series ‘DQN,’ Launches $1 Million Creator Fund for Emerging Filmmakers (EXCLUSIVE) https://t.co/cyhEonHRei via @variety

#Thunderbolts premiere at the Dolby Theatre https://t.co/qYpE5Gu9Vb