Articles

  • Nov 20, 2024 | editorial.rottentomatoes.com | Bill Condon |Chris Weitz |David Slade |Catherine Hardwicke

    The Twilight Saga: New Moon is 15!Re-visit the series that launched Kristen Stewart and Robert Pattinson (not to mention vegetarian vampires) into the international spotlightlight! From 2008 and 2012, The Twilight Saga was a pop culture fixture, with the hype, secrecy, and buzz for each movie on par with the latest comic book blockbuster.

  • Dec 30, 2023 | reelfilm.com | David Nusair |Catherine Hardwicke |Monica Bellucci |Toni Collette

    Directed by Catherine Hardwicke, Mafia Mamma follows a suburban American (Toni Collette’s Kristin) as she inherits a criminal empire after her grandfather passes away. It’s an appealingly larger-than-life premise that is, at the outset, employed to entertaining effect by Hardwicke, as the filmmaker, armed with a screenplay by J.

  • Dec 28, 2023 | letterboxd.com | Catherine Hardwicke |Gemma Gracewood |Dominic Corry

    Our crew’s end-of-year look-back for 2023 is all in celebration of cinema. The long, slow return to theaters post-Covid has been far longer and much slower than hoped. Even in a year of Barbie, Taylor and Beyoncé, it’s still been a tough road convincing folks to make theater-going part of their regular circuit again. Indiewire reports that only one mega-budget film ($200 million-plus)—James Gunn’s Guardians of the Galaxy Vol.3—has turned a profit.

  • Apr 17, 2023 | moviemaker.com | Catherine Hardwicke

    Share on Facebook Share on Twitter“You have to be unstoppable and undaunted,” Catherine Hardwicke, director of the new film Mafia Mamma, often tells first-time filmmakers. She says her first movie Thirteen was born by “sheer force of will” and by using every resource available to her, including dressing actors in her own clothes.

  • Apr 17, 2023 | 1news.one | Catherine Hardwicke

    “Je moet niet te stoppen en onverschrokken zijn”, zegt Catherine Hardwicke, regisseur van de nieuwe film Maffia mama, vertelt nieuwe filmmakers vaak. Ze zegt haar eerste film Dertien werd geboren door “pure wilskracht” en door alle middelen te gebruiken die haar ter beschikking stonden, inclusief het aankleden van acteurs in haar eigen kleren.

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