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Chad Byrnes

Los Angeles

Writer at Freelance

LAWeekly film critic. Rock and roll, horror films, classic and modern literature, love and darkness and all things inbetween.

Articles

  • 5 days ago | laweekly.com | Chad Byrnes

    Have you ever texted someone and never received a response? Well, A24’s comedy of bad manners, Friendship, taps into that frustration … with a power drill. Director Andrew DeYoung’s exploration of broken masculinity and middle-aged isolation manages to be the funniest — and the cringiest — film of the year.

  • 6 days ago | villagevoice.com | Chad Byrnes

    Have you ever texted someone and never received a response? Well, A24’s comedy of bad manners, Friendship, taps into that frustration … with a power drill. Director Andrew DeYoung’s exploration of broken masculinity and middle-aged isolation manages to be the funniest — and the cringiest — film of the year.

  • 1 week ago | marinatimes.com | Chad Byrnes

    Elegiac yet restrained and lyrical, Daniel Minahan’s On Swift Horses explores the lives of two lost souls trying to find their footing in 1950s America. What initially seems a forbidden tryst between the main characters, played by budding Hollywood stars Jacob Elordi and Daisy Edgar-Jones, becomes something else entirely: a quest for morality and love in a society that doesn’t recognize their authentic selves.

  • 3 weeks ago | villagevoice.com | Chad Byrnes

    Elegiac yet restrained and lyrical, Daniel Minahan’s On Swift Horses explores the lives of two lost souls trying to find their footing in 1950s America. What initially seems a forbidden tryst between the main characters, played by budding Hollywood stars Jacob Elordi and Daisy Edgar-Jones, becomes something else entirely: a quest for morality and love in a society that doesn’t recognize their authentic selves.

  • 1 month ago | villagevoice.com | Chad Byrnes |R.C. Baker

    With a title like Death of a Unicorn, your expectations might be unrealistically high or very low (depending on how you feel about the mythological horned creatures). Either way, writer/director Alex Scharfman’s debut, which features literal unicorns impaling billionaires, is undeniably ambitious and occasionally amusing, even after it runs out of steam from a draggy second act.

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Chad Byrnes
Chad Byrnes @chad_byrn
21 May 21

One step towards finishing my left sleeve! Reading is essential! 🤘 https://t.co/6hjllVY6rq

Chad Byrnes
Chad Byrnes @chad_byrn
19 May 21

Check out my review of The Woman in the Window. Not my cup of tea! https://t.co/GQvlz9GA73

Chad Byrnes
Chad Byrnes @chad_byrn
14 May 21

https://t.co/axTN6NxgqN