
Chad Byrnes
Writer at Freelance
LAWeekly film critic. Rock and roll, horror films, classic and modern literature, love and darkness and all things inbetween.
Articles
-
5 days ago |
laweekly.com | Chad Byrnes
Have you ever texted someone and never received a response? Well, A24’s comedy of bad manners, Friendship, taps into that frustration … with a power drill. Director Andrew DeYoung’s exploration of broken masculinity and middle-aged isolation manages to be the funniest — and the cringiest — film of the year.
-
6 days ago |
villagevoice.com | Chad Byrnes
Have you ever texted someone and never received a response? Well, A24’s comedy of bad manners, Friendship, taps into that frustration … with a power drill. Director Andrew DeYoung’s exploration of broken masculinity and middle-aged isolation manages to be the funniest — and the cringiest — film of the year.
-
1 week ago |
marinatimes.com | Chad Byrnes
Elegiac yet restrained and lyrical, Daniel Minahan’s On Swift Horses explores the lives of two lost souls trying to find their footing in 1950s America. What initially seems a forbidden tryst between the main characters, played by budding Hollywood stars Jacob Elordi and Daisy Edgar-Jones, becomes something else entirely: a quest for morality and love in a society that doesn’t recognize their authentic selves.
-
3 weeks ago |
villagevoice.com | Chad Byrnes
Elegiac yet restrained and lyrical, Daniel Minahan’s On Swift Horses explores the lives of two lost souls trying to find their footing in 1950s America. What initially seems a forbidden tryst between the main characters, played by budding Hollywood stars Jacob Elordi and Daisy Edgar-Jones, becomes something else entirely: a quest for morality and love in a society that doesn’t recognize their authentic selves.
-
1 month ago |
villagevoice.com | Chad Byrnes |R.C. Baker
With a title like Death of a Unicorn, your expectations might be unrealistically high or very low (depending on how you feel about the mythological horned creatures). Either way, writer/director Alex Scharfman’s debut, which features literal unicorns impaling billionaires, is undeniably ambitious and occasionally amusing, even after it runs out of steam from a draggy second act.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 70
- Tweets
- 48
- DMs Open
- No

One step towards finishing my left sleeve! Reading is essential! 🤘 https://t.co/6hjllVY6rq

Check out my review of The Woman in the Window. Not my cup of tea! https://t.co/GQvlz9GA73

https://t.co/axTN6NxgqN