
Articles
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6 days ago |
lawliberty.org | Charles King |Reema Jadeja-Reed |Theodore Dalrymple |Bruno Meyerhof Salama
Religious or agnostic, one would be hard-pressed to find an individual in the Anglosphere unfamiliar with George Frideric Handel’s Messiah. Considered to be the greatest participatory work ever created, it is estimated that 13.7 million western classical compositions have been written since Messiah in 1741, yet it remains the most annually heard and sung work in the entire classical repertoire.
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Dec 25, 2024 |
nytimes.com | Charles King
Handel was born the son of a "barber surgeon" and a much younger wife in a territory that would later become Germany. After an itinerant musical apprenticeship in Italy, he arrived as an immigrant in London at the height of a craze for Italian opera. He had a genius for melody and the rare ability to make an audience truly feel what was happening onstage.
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Dec 11, 2024 |
startribune.com | Hamilton Cain |Charles King
Nonfiction: “Every Valley” traces the history of the creation of Handel’s “Messiah.”December 11, 2024 at 3:00PMBaroque expert Jeanette Sorrell conducted Handel's "Messiah" at the SPCO. (The Minnesota Star Tribune)When I was a teenager in Tennessee during the 1980s, Christmas officially launched the day after Thanksgiving: holly wreaths hung on front doors, shoppers thronging local malls.
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Nov 4, 2024 |
washingtonpost.com | Charles King
George Frideric Handel, Akademie für Alte Musik Berlin 03:12 George Frideric Handel, Akademie für Alte Musik Berlin 02:00 George Frideric Handel, Akademie für Alte Musik Berlin 03:43 George Frideric Handel, Akademie für Alte Musik Berlin 01:14 George Frideric Handel, Akademie für Alte Musik Berlin 02:11 George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée 01:16 George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre 05:52 George Frideric Handel, Renée Fleming, Orchestra of the...
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Nov 1, 2024 |
literaryreview.co.uk | Charles King
Does anything ever truly happen in the Messiah? This extraordinarily popular tripartite choral work, first performed in Dublin in 1742, consists almost entirely of saying rather than of doing. Circling around the redemptive power of Christ, it combines declarations with questions, prophecies, injunctions and exhortations (‘Who is this King of Glory?’, ‘Behold, I tell you a Mystery’, ‘Daughter of Sion, shout’, ‘He shall speak’).
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