Articles

  • 4 weeks ago | journals.sagepub.com | Sandra Thom-Jones |Chloe Gordon |Simone Mizzi

    BackgroundInclusion in education is a human right, a legal entitlement and a core component of educational policy and agenda (Australian & Government, 1992, 2005; UNESCO, 1994; UN General Assembly, 2015). In Australia, inclusion means that a young person with a disability can participate in education on the same basis as a student without a disability through the provision of reasonable adjustments.

  • 1 month ago | thedieline.com | Chloe Gordon

    Merune’s packaging, designed by Studio One Eighty, leans into the visual cues of apothecary labels and art history. Each product features an image of its hero ingredient, rendered in a painterly, textured style reminiscent of vintage botanical prints or still-life oil paintings. The tall, condensed sans-serif wordmark is at the top, while the stacked, center-aligned ingredients list reads like a formula. Bold monochrome backgrounds shift by SKU, giving the lineup a graphic, collectible quality.

  • 1 month ago | thedieline.com | Chloe Gordon

    Point of View’s packaging, designed by Established, leans all the way into playful language. Each product name, including “whip it,” “glaze it,” and “amp it,” is typeset in bold lowercase sans serif. The stark black-and-white palette gives the naming structure room to shine without distraction. Additionally, the lineup is sleek and intentional, from pill-like bottles to rounded jars and minimal droppers. It’s skincare branding that’s designed with editorial clarity.

  • 1 month ago | thedieline.com | Chloe Gordon

    I’ve always been fascinated by beauty culture. I grew up watching YouTube beauty gurus like they were my older cousins, learning about contouring before I even knew what bone structure was. Michelle Phan, Blair Fowler, and Jaclyn Hill were my go-tos, among many, many others. I spent more money than I’d like to admit on the CVS makeup aisle, practicing looks in my bedroom, and quietly washing them off before I left the house. Not because I wasn’t allowed to wear makeup, but because it intimidated me.

  • 1 month ago | thedieline.com | Chloe Gordon

    Lazy Food’s packaging, designed by Rosalba Porpora with Andrea Mastroluca, leans into bold utility. Each pouch features a glossy red pot illustration, always mid-stir, set against solid-colored backdrops that match each the pallete of the recipe. The typography is loud and unfussy, and the “L” curl suggests cooking in motion. The palette shifts with each SKU, but the system stays loud, legible, and simple, just like the product. Subscribe to Read More

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chloe gordon
chloe gordon @chloegordon25
3 Jun 25

RT @nstlgiaxpress: THE CLOUT VS COST MAP Last week I posted about the decoupling of taste and money. Building on that: cost doesn't equal…

chloe gordon
chloe gordon @chloegordon25
27 May 25

propaganda I’m not falling for: "recession indicator"

chloe gordon
chloe gordon @chloegordon25
27 May 25

acetaldehyde causes a lot of the next-day effects of drinking, these brands are working to prevent those negative effects https://t.co/4SoeJyrlnJ https://t.co/W7n1cD9UdH