Clayton Dillard's profile photo

Clayton Dillard

Los Angeles

Writer at Slant Magazine

Lecturer in Cinema at San Francisco State University | Writer @Slant_Magazine

Articles

  • 5 days ago | flipboard.com | Clayton Dillard

    11 hours agoNEED TO KNOW Kathy Bates revealed she recently hired a personal stylist to "elevate" her look after her 100-lb. weight loss • The Matlock star also shared that her favorite form of exercise is walking — though she plans to start weight training too • Bates, 76, spoke to PEOPLE exclusively while at an event …

  • 5 days ago | slantmagazine.com | Clayton Dillard

    Robert Wise’s adaptation of The Andromeda Strain retains much of the Michael Crichton novel’s emphasis on the minutiae of efforts to contain a deadly extraterrestrial microorganism while blending in elements of a procedural thriller and a disaster film. As lensed by Richard H.

  • Jan 13, 2025 | slantmagazine.com | Odie Henderson |Clayton Dillard

    With its fractured narrative, complete with a gimmicky spectral figure guiding us through the proceedings, Jo Jo Dancer, Your Life Is Calling is Richard Pryor’s All That Jazz. Playing like a greatest hits collection of Pryor’s stand-up routines, it begins with the titular character freebasing his way into a hospital burn unit, features him pulling a starter pistol on the mafia, and shows him destroying his wife’s car when she threatens to leave him.

  • Oct 21, 2024 | slantmagazine.com | Clayton Dillard

    Subjective trauma becomes subaltern desire in The Cabinet of Dr. Caligari, Robert Wiene’s proto-horror silent classic that’s justly, if mostly, celebrated for its Expressionist, practically vertiginous images. By focusing almost exclusively on its pioneering formalism, the more historical and socially neutral readings of the film, aside from the work of scholars Alexander Doty and Harry Benshoff, have lost sight of its thoroughly embedded queer narrative.

  • Sep 27, 2024 | slantmagazine.com | Clayton Dillard

    Alberto De Martino’s The Antichrist is easy to dismiss as a shameless rip-off of The Exorcist. But that would be to diminish the stylistic verve that De Martino brings to the project. In fact, aside from the more overt story elements relating to the occult, De Martino’s direction owes more to other Euro contemporaries like Walerian Borowczyk and Sergio Martino than to William Friedkin.

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