Slant Magazine
Slant Magazine is a digital publication based in the United States that offers reviews on a wide range of entertainment, including movies, music, television shows, DVDs, theater productions, and video games. Additionally, it includes interviews with actors, directors, and musicians. The website also provides coverage of several film festivals, such as the New York Film Festival.
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Arts and Entertainment/TV Movies and Streaming
#1836
Articles
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5 days ago |
slantmagazine.com | Ed Gonzalez |Eric Henderson
In a 1999 interview with LA Weekly, Armond White said, “Spike [Lee] has become a first-rate marketer—he knows what a young audience wants, and he supplies it. Spike picks hot topics—basketball, interracial dating—but that doesn’t mean you break ground. Barbara Walters picks hot topics every day.
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5 days ago |
slantmagazine.com | Steve Erickson
Pulp’s first single in over a decade, “Spike Island,” grapples with Jarvis Cocker’s mixed feelings about the song’s very existence. He reflects about the unhappiness that seeped into the band’s music after they hit it big in the mid ’90s: “I was heading for disaster/And then I turned back.” Yet he remains torn between rejecting the glare of the spotlight and feeling that “I was born to perform/It’s a calling.” It’s a hell of a way to reintroduce the Britpop icons.
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5 days ago |
slantmagazine.com | Marshall Shaffer
As horror has solidified itself as one of the last remaining bankable bastions of cinema, Stephen King’s vast trove of writing has become a juggernaut of intellectual property. The author is to the genre what Marvel is to action. And few filmmakers understand the literary giant’s enduring appeal better than Mike Flanagan, who previously brought King’s Gerald’s Game and Doctor Sleep to the screen.
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6 days ago |
slantmagazine.com | William Repass
Madeleine Hunt Ehrlich’s The Ballad of Suzanne Césaire is less concerned with shedding light on its subject—the under-translated spouse of poet and Martiniquais politician Aimé Césaire—than with the quandaries involved in attempting to do so.
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1 week ago |
slantmagazine.com | Marshall Shaffer
“Watching [Wes Anderson] discover and use Michael [Cera] was like watching God discovering water,” quipped Benedict Cumberbatch at the Cannes Film Festival press conference for The Phoenician Scheme last week. “It seems like a pretty obvious, natural element to have in his arsenal as a filmmaker.” And Cumberbatch is right, as it does feel long overdue for Cera to join one of Anderson’s ensembles.
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