Articles

  • 1 week ago | awardsradar.com | Cory Stillman

    Directors Deondray Gossfield & Quincy LeNear Gossfield believe in authenticity above all else when it comes to their work on Showtime’s The Chi. Quincy is a Chicago native, one of several working on the long-running drama series. He married Deondray, an LA native, in 2014, and their creative partnership has birthed an attention to detail that stems from both the similarities and differences between their upbringings.

  • 1 week ago | awardsradar.com | Cory Stillman

    By the time The White Lotus star Sarah Catherine Hook arrived in Thailand to shoot the third season of Mike White’s incisive anthology series, she had completed more than enough preparation for her role as Piper Ratliff.

  • 1 week ago | awardsradar.com | Cory Stillman

    Having performed countless stunts for a whole range of iconic Marvel properties, including Avengers: Endgame and Loki, it was only a matter of time until James Hutchinson emerged as one of the industry’s most sought-after stunt coordinators. He served as the coordinator on hit HBO Max series like The Staircase and Doom Patrol, and most recently lent his talents to Amazon Prime’s The Bondsman, the supercharged crime series starring Kevin Bacon as resurrected bounty hunter Hub Halloran.

  • 1 week ago | awardsradar.com | Cory Stillman

    “Hey Higgins, you want to cut an episode?”Those simple words changed editor Jon Higgins‘ life, affording him the opportunity to cut an episode of the short-lived talk series Crossing Over with John Edward. “I realized while cutting that episode that I loved editing,” says Higgins.

  • 1 week ago | awardsradar.com | Cory Stillman

    Natalie Nelson has served as the Hair Department Head on a wide variety of television shows, dabbling in genres ranging from sci-fi to crime to coming-of-age stories. Her work on Prime Video’s Cross, starring the always terrific Aldis Hodge, has generated buzz lately for its authentic rendering of Washington D.C. in real time. Nelson’s designs impressively reflect the D.C. of 2024, particularly the city’s Black communities.

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