Awards Radar
Established in September 2020, Awards Radar aims to deliver unbiased, insightful, and comprehensive coverage of the awards season and the broader entertainment industry. Founded by Joey Magidson, the site features a committed team of writers who strive to provide readers with a diverse array of content that both entertains and educates. The love for cinema and the unique perspectives of each writer are evident in their work. We prioritize professionalism and excellence in everything we do, ensuring meaningful interactions with our audience.
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Articles
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1 day ago |
awardsradar.com | Joey Magidson
When Prey came out a few years ago (reviewed here), filmmaker Dan Trachtenberg found a really exciting way to tackle the Predator IP. By going back to basics, as well as suggesting how different time periods easily lend themselves to stories of this hunter, it really did seem like something was unlocked. The sequel to Prey, Predator: Badlands, is coming soon, but first, we have the animated anthology Predator: Killer of Killers.
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2 days ago |
awardsradar.com | Joey Magidson
Welcome back to the Awards Radar Podcast. In each episode, Editor Joey Magidson (that’s me!) will be joined by some of the staff of Awards Radar to talk about the latest in film, television, and entertainment in general.
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2 days ago |
awardsradar.com | Joey Magidson
With any dark comedy, you want the film to have bite, for sure, but you also don’t want it to ever get too mean. When a movie is mean-spirited, it stops being fun. I bring this up because I Don’t Understand You is an example of a flick that very nearly commits this sin. It walks perilously close to the line, but never quite trips over it. So, you wind up with a pitch black comedy, one with genre elements, that doesn’t lose its audience, even if it comes close a time or two.
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2 days ago |
awardsradar.com | Maxance Vincent
As Chef’s Table celebrates its tenth anniversary this year, Netflix has shared with Awards Radar an exclusive clip that encapsulates what this docuseries has always been about, highlighting varied chefs from around the world as they invite us to their part of the globe and show audiences their lives behind-the-scenes, alongside the incredible cooking they create.
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2 days ago |
awardsradar.com | Maxance Vincent
When making Bridget Jones: Mad About the Boy, the fourth installment in the popular British film adaptations of Helen Fielding’s novels, director Michael Morris explained to Awards Radar on Zoom, that they never referred to it as “Bridget Jones 4,” because he wanted this entry to stand out amongst the previous three that came before: “When you come into a franchise, especially the fourth installment of a franchise, lots of people, I assume, think they know what they’re going to get, because...
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