
Dale Berning Sawa
Freelance Writer and Editor at Freelance
Commissioning Editor at The Conversation
Articles
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1 week ago |
theartnewspaper.com | Dale Berning Sawa
“Wouldn’t it be marvellous to paint as if painting had never existed?” Paul Cézanne once said. He called the Louvre “the book from which we learn to read”, full of Old Masters that were both the fount of wisdom for a young artist and a past to be jettisoned if they ever wanted to make something true to themselves. The Centre Pompidou-Metz this month opens an unusual group show, Copyists, which is animated by precisely this high-voltage duality.
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2 weeks ago |
theartnewspaper.com | Dale Berning Sawa
Let your eyes sink into the hand-painted extravagance of the Rothschild Pentateuch and, whether you can read it or not, you might feel a sense of awe. The manuscript—crafted by candlelight by two Jewish scribes—boasts more than 1,000 pages, hundreds of which are illuminated with animals and plants in the margins, elaborate Hebrew initials and full-page depictions of objects such as a golden menorah.
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2 weeks ago |
theartnewspaper.com | Dale Berning Sawa
A radio broadcaster once asked Jean Tinguely whether his machines looked like him. The Swiss artist is best known for his Dadaist kinetic sculptures, mechanical things with cogs and spikes that whirr and clatter—and often self-destruct. “Do my machines look like me?” he replied. “I really rather hope they don’t! Because they express a certain amount of excitement, of madness even.” Behind it all, he said, he himself remained “relatively calm and stable”.
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1 month ago |
theguardian.com | Dale Berning Sawa |Eddy Frankel |Tim Jonze |Charlotte Jansen |Oliver Wainwright |Evan Moffitt
Louise Bourgeois’s spider opens the museum (2000)Frances Morris, then head of displays“Louise Bourgeois symbolised what I wanted Tate Modern to be: a place where you would have extraordinary encounters with artists who weren’t in the canon. She proposed an installation with three towers for the Turbine Hall and we suggested also borrowing a small group of her spiders to put on the ramp down into the hall, to lure people in.
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1 month ago |
nytimes.com | Dale Berning Sawa
Otobong Nkanga's boundary-breaking and prize-winning art is on view at the Nasher Sculpture Center in Dallas. Two years ago, the artist Otobong Nkanga was announced as the 2025 winner of the Nasher Prize, honoring her work in sculpture. Credit... Nitashia Johnson for The New York Times This article is part of our Museums special section about how artists and institutions are adapting to changing times.
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