Articles

  • 2 weeks ago | theguardian.com | Dale Berning Sawa |Eddy Frankel |Tim Jonze |Charlotte Jansen |Oliver Wainwright |Evan Moffitt

    Louise Bourgeois’s spider opens the museum (2000)Frances Morris, then head of displays“Louise Bourgeois symbolised what I wanted Tate Modern to be: a place where you would have extraordinary encounters with artists who weren’t in the canon. She proposed an installation with three towers for the Turbine Hall and we suggested also borrowing a small group of her spiders to put on the ramp down into the hall, to lure people in.

  • 3 weeks ago | nytimes.com | Dale Berning Sawa

    Otobong Nkanga's boundary-breaking and prize-winning art is on view at the Nasher Sculpture Center in Dallas. Two years ago, the artist Otobong Nkanga was announced as the 2025 winner of the Nasher Prize, honoring her work in sculpture. Credit... Nitashia Johnson for The New York Times This article is part of our Museums special section about how artists and institutions are adapting to changing times.

  • 1 month ago | theartnewspaper.com | Dale Berning Sawa

    Ask any beleaguered post-Covid museum director what they need right now, and they will likely be quite blunt. They need visitors to come back and staff to stick around. They also need a functioning building with the funds to maintain it, and as they are museum directors, they want that building to be beautiful. And they need tools for wrangling the complexities of the world on their doorstep. As it turns out, what many mean when they say all this is: we need Annabelle Selldorf.

  • 1 month ago | theartnewspaper.com | Dale Berning Sawa

    At the end of 2024, between convening a football shootout against Cristiano Ronaldo and giving 2,000 amputees new prosthetic legs, MrBeast—the world’s biggest YouTuber by quite some margin—took a trip to the Giza Plateau. In a video titled “I Spent 100 Hours Inside The Pyramids!”, the man also known as Jimmy Donaldson stands atop a sand-hued stone staircase and, as usual, starts yelling.

  • 1 month ago | theartnewspaper.com | Dale Berning Sawa |Philippe Regnier |Gareth Harris |Anna Sansom

    When Paris’s public museums published their annual visitor figures in January, it was another bright day for cultural outreach—but a bit too bright for some. “8.7 million entries to the Louvre, 4.9 to Orsay and the Orangerie, 3.2 to Pompidou,” wrote one journalist. “Are Parisian museums overheating?”Pundits have been quick to make the connection between over-tourism in the Calanques national park, or Venice, or Rome, or Amsterdam, and the high museum attendance in the French capital.

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