Daniel Browning

1 week ago | abc.net.au | Daniel Browning

Sydney-based artist Nadia Vitlin works with olfaction — our sense of smell — infusing her artwork, whether it be clay or paint, to create bespoke pieces that mimic the transportive power of scent: one of the most evocative, deeply personal and memory-laden senses humans possess. She experiments in the fourth dimension, and it all began with leaves from the garden and spices you might find in your kitchen.

2 weeks ago | abc.net.au | Daniel Browning |Sky Kirkham

Just as historical objects in museum collections embody certain histories — of British imperialism and modernity — they also map loss and disappearance for those in former colonial states. Pio Abad, whose work is "concerned with the personal and political entanglements of objects," has mined the stories embedded in certain cultural material such as kris, ceremonial swords from Mindanao, and a tiara worn by Imelda Marcos, the wife of Philippines dictator Ferdinand Marcos.

3 weeks ago | abc.net.au | Daniel Browning |Sky Kirkham

They used to lay-buy contemporary art together when they were low-paid gallery workers, forging a business relationship early on. Now, Ursula Sullivan and Joanna Strumpf are one of Australia's most successful art partnerships in terms of the cultural impact of the artists they represent — Tony Albert, Lindy Lee, Polly Borland, ex de Medici, Sam Leach, and Ramesh Mario Nithiyendran, to name a few. This year, they're celebrating two decades together at the head of Sullivan + Strumpf.

1 month ago | abc.net.au | Daniel Browning |Sky Kirkham

It was while researching the provenance of a child’s boomerang, found in topsoil near the site of Melbourne Zoo, that Kimberley Moulton found the key to her curatorial vision for We Are Eagles, the latest edition of the TarraWarra Biennial. The Yorta Yorta curator worked with artefacts and other historical material at Melbourne Museum for years before moving into contemporary art in her current role at the Tate in London.

1 month ago | abc.net.au | Daniel Browning

Khaled Sabsabi, the Lebanese-Australian artist dumped as Australia's representative at the 2026 Venice Biennale, has spoken publicly for the first time since Creative Australia withdrew his highly prized commission. In an interview with ABC Radio National's The Art Show, Sabsabi described the impact of the Commonwealth arts funding body's February decision as "devastating".